Black Disc; - Columbia LCX 46-63 {18x78s} (UK) (1931)�; Columbia LX 81-98 {18x78s} (UK) (1931)�; Columbia LFX 112-129 {18x78s} (France);; Columbia LWX 3300-3317 {18x78s} (Germany);; Columbia GQX 10074-10091 {18x78s} (Italy);; Columbia Set OP 24 (67897 D - 67914 D) {18x78s} (USA) ; EMI Electrola 1C 137 03130-2 {3LPS} (Germany)
Compact Disc; - Pearl GEMM CDS 9941 {2CDS} Malibran Music CDRG 113 {2CDS} (1998)�; Arkadia 2CD 78051 {2CDS} (1999)�; Naxos �Great Opera Recordings� 8.110094-95 {2CDS} (2001)�
Recordings of Tannhäuser by Richard Wagner are surveyed in the following publications:-
High Fidelity November 1961 Vol.11 No.11 p.59; HARRIS p.268; Opera on Record p.346; CELLETTI p.1143; Opera on CD (1) p.62 (2) p.69 (3) p.78; L'Avant Scène Opéra No.63-64 p.186, mise à jour mars 2004; MET p.677; MET(VID) p.420; PENGUIN p.547; Stereophile July 1990 p.160; Wagner News Issue No.97 p.18; American Record Guide Vol.57 No.2 March/April 1994 p.59, Vol.65 No.4 July/August 2002 p.57; GIUDICI p.1068 (2) p.1717; Orpheus August + September 2002 S.81
This recording is reviewed in the following publications:-
(The) Gramophone - February 1931 p.433 (Klein); March 1931 p.475; June 1931 p.36; February 1999 p.34 (mention) [RC]
Comments:- *An abridged version recorded in the Festspielhaus, but not at performances (see The Gramophone January 1959 p.390). According to David Hamilton �...the solos ofIvar Andresen, the Landgrave, are slotted in from studio recordings made in Berlin, though Andresem is clearly audible in the act 1 ensembles, I cannot detect his distinctive sound in act 2 except in those extraneously recorded solos� (The Opera Quarterly Vol.3 No.4 Winter 1985/86 p.86). These remarks only apply to the re-issue on LP by EMI-Electrola, where the Landgrave's �Gar viel und schön� was slotted in from an earlier recording by Andresen made with the Berlin State Opera Orchestra conducted by Fritz Zweig. The original 78s also contained �Ein furchtbares Verbrechen� (side 26) taken from an earlier recording (see THE OPERA QUARTERLY Vol.19 No.1 Winter 2003 p.82)
Black Disc; - E.J. Smith �The Golden Age of Opera� EJS 300 {1LP} (1964)�; BASF 22 21805-6 {2LPS}; Acanta DE 21 806; RCA-Acanta 40.21806 DT {2LPS} (1984)�
Recordings of Ariadne auf Naxos by Richard Strauss are surveyed in the following publications:-
High Fidelity March 1962 Vol.12 No.3 p.121; HARRIS p.29; Opera on Record 3 p.264; CELLETTI p.777; Opera on CD (1) p.121 (2) p.132 (3) p.148; L'Avant Scène Opéra No.77 p.120, mise à jour 2003; MET p.534; MET(VID) p.316; PENGUIN p.407; American Record Guide September/October 1995 Vol.58 No.5 p.89; Opéra International No.242 janvier 2000 pp.62-63; American Record Guide May/June 2005 Vol.68 No.3 pp.63-63
This recording is reviewed in the following publications:-
Black Disc; - HMV DB 3465-3483S (19x78s) (1938)�; *HMV ALP 1273-1275 {3LPS} (1955)�; HMV RLS 1434653 {3LPS} (1983)�; Victor �Masterpiece Sets� 541, 542 {19x78s}; RCA Victor 6103 {3LPS} (1951)�; RCA Victor WCT 54 {EPS} (1951)�; Seraphim IC-6129; World Record Club SH 158-160 Calig CAL 30845/30846 {2LPS}; Turnabout TV 4111-3 {3LPS}
Recordings of Die Zauberflöte by Wolfgang Amadeus Mozart are surveyed in the following publications:-
High Fidelity November 1960 Vol.10 No.11 p.130: November 1965 Vol.15 No.11 pp.136-140; Opera on Record p.106; CELLETTI p.525; Opera on CD (1) p.22 (2) p.26 (3) p.28; L'Avant Scène Opéra No.101 p.138, No.196 p.148; MET p.332; MET(VID) p.186; PENGUIN p.257; BBC Music Magazine May 1994 p.47; Opéra International No.182 juillet-aoüt 1994 p.14; GIUDICI p.495 (2) p.828; Stereophile October 1996 (Vol.19 No.10) p.303; Répertoire No.108 décembre 1997 p.15; American Record Guide January/February 2002 Vol.65 No.1 pp.58-60; BBC Music Magazine April 2004 p.52; The Gramophone January 2006 p.28
This recording is reviewed in the following publications:-
(The) Gramophone - July 1938 p.68 [HFVL]; November 1955 p.233 [AR]; January 1956 p.302 [DST]; July 1983 p.181 [JBS]; March 1990 p. [JBS]
Comments:- *This recording, in which there is no dialogue, was recorded in two sessions: 8 to 15 November 1937 and 24 February to 8 March 1938. The following items were recorded in the second session: In diesen heiligen Hallen; Der Vogelfänger bin ich ja; Dies Bildnis is bezaubernd schön; Zu Hülfe; Overture pt.1; O zittre nicht. The last of these, the Queen of the Night's aria �O zittre nicht�, was recorded on 8 March 1938 and was conducted by Bruno Seidler-Winkler. More details can be found in �Complete Operas on 78 R.P.M.� by Tom Peel. According to Walter Legge the orchestra in the recording conducted by Bruno Seidler-Winkler was the Berlin State Opera Orchestra (see OPERA June 1979 pp.539-540).
Recordings of Die Fledermaus by Johann Strauß II are surveyed in the following publications:-
Opera on Record p.532; Opera on CD (1) p.81 (2) p.90 (3) p.101; L'Avant Scène Opéra No.49 p.146, mise à jour décembre 1999 p.2; MET p.504; MET(VID) p.301 PENGUIN p.398; Opera on Video p.137; Classic CD December 1995 p.42 GIUDICI p.788, (2) p.1300
This recording is reviewed in the following publications:-
Recordings of Il barbiere di Siviglia by Gioacchino Rossini are surveyed in the following publications:-
Opera on Record p.142; CELLETTI p.697; Opera on CD (1) p.29 (2) p.33 (3) p.36; L'Avant Scène Opéra No.37 p.142, mise à jour Juin 2002 p.2; MET p.480; MET(VID) p.282; PENGUIN p.353; Opéra International novembre 1992 p.18; Gramophone July 1992 p.29; GIUDICI p.699 (2) p.1169; Répertoire No.92 juin 1996 p.17; Opera Now November/December 1996 p.69; l'opera (Milano) Anno XII - N.124 dicembre 1998 - Speciale Scala - Stagione 1998/99 p.105; Classic CD August 2000 p.48; American Record Guide September/October 2000 Vol.63 No.5 pp.73-83; BBC Music Magazine April 2002 p.57
Comments:- Recording of part of a broadcast performance (30 May 1938)
Recordings of Don Pasquale by Gaetano Donizetti are surveyed in the following publications:-
Opera March 1973 p.203; HARRIS p.90; Opera on Record p.192; CELLETTI p.196; Opera on CD (1) p.36 (2) p.42 (3) p.46; L'Avant Scène Opéra No. 108 p.94; MET p.127; MET(VID) p.77; PENGUIN p.73; GIUDICI p.221 (2) p.366; Opéra Internationaloctobre 1997 p.58; American Record Guide September/October 2000 Vol.63 No.5 pp.73-83
This recording is reviewed in the following publications:-
Comments:- Recording of an abridged version made in Berlin (June 1939). The CD-ROM issued by Mike Richter also includes material recorded by Gino Sinimberghi and Erna Berger on Grammophon 67536 with the Staatskapelle, Berlin, and which was omitted from the abridged radio version.
Recordings of Hänsel und Gretel by Engelbert Humperdinck are surveyed in the following publications:-
Orpheus Juni/Juli 1973 S.63; Opera on Record 2 p.282; CELLETTI p.338; Opera on CD (1) p.101 (2) p.112 (3) p.126; L'Avant Scène Opéra No.104 p.100; Der Opernführer No.3 p.98; MET p.184; MET(VID) p.104; PENGUIN p.162; Opera on Video p.168; GIUDICI p.304 (2) p.528; Opéra International novembre 1997 No.218 p.16; Classic CD Christmas 1999 pp.44-47; Gramophone December 2002 p.36
This recording is reviewed in the following publications:-
Black Disc; - Urania Records URLP 217 {3LPS} (USA) (1952)�; *Urania Records US 5217-3 {3LPS};; D.G.G. LPEM 19253/4 {2LPS}; Opera Society OPS 113-4 {2LPS} Acanta DE 21997 {2LPS} (1979)�
Compact Disc; - Berlin Classics 0021632 {2CDS} (1994)�; Phonographe PH 5050/51 {2CDS}; Sonia DA 74805/6 {2CDS}; Grammofono 2000 AB 78815/78816 {2CDS} *Mike Richter Audio Encyclopedia AE 209 �Opera from Germany� {1CD-ROM} (2002)�; Aura LRC 1112 {2CDS} (2003)�; Opera d'Oro OPD 1370 {2CDS} (2003)�
Comments:- The LP and CD issues appear to be the same recording but according to the formerthe conductor is Artur Rother while according to the latter it is Johannes Schüler
Recordings of Rigoletto by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.48, October 1963 Vol.13 No.10 p.32; HARRIS p.223; Opera on Record p.208; CELLETTI p.986; Opera on CD (1) p.49 (2) p.55 (3) p.61; L'Avant Scène Opéra No.112-113 p.144, mise à jour juillet 2001 p.2; MET p.583; MET(VID) p.567; PENGUIN p.496; Répertoire No.64 décembre 1993 p.8; Opera on Video p.75; GIUDICI p.905 (2) p.1459; �Musica 99� p.73; BBC Music Magazine December 1996 p.47; Opéra International No.254 février 2001 p.16
This recording is reviewed in the following publications:-
(The) Gramophone - March 1962 p.458; December 2005 p.121 (mention) [PO'C]
Comments:- According to Michael Seil and Christian Zwarg the (The Record Collector June 2002 p.122) this recording was made on 20-22 September 1944. The CDs issued by Cantus Classics are listed on their online catalogue.
Recordings of Les Contes d'Hoffmann by Jacques Offenbach are surveyed in the following publications:-
Opera on Record 2 p.219; CELLETTI p.551; Opera on CD (1) p.77 (2) p.85 (3) p.95; L'Avant Scène Opéra No.25 p.120; MET p.361; MET(VID) p.204; PENGUIN p.274; GIUDICI p.538 (2) p.882; American Record Guide May/June 1996 Vol.59 No.3 p.66; Diapason No.474 octobre 2000 p.54; l'opera (Milano) Anno XVI N.158 febbraio 2002 p.103
This recording is reviewed in the following publications:-
Comments:- This recording was issued by Royale (listed above) with a fictitious cast listing. See �ARSC Journal� Vol.22 No.1 Spring 1991 p.134, Vol.27 No.1 Spring 1996 p.19
Recordings of Die Entführung aus dem Serail by Wolfgang Amadeus Mozart are surveyed in the following publications:-
High Fidelity November 1960 Vol.10 No.11 p.57, p.125: November 1965 Vol.15 No.11pp.65-68; Opera on Record 2 p.79; CELLETTI p.488; MARINELLI p.41; Opera on CD (1) p.16 (2) p.20 (3) p.21; L'Avant Scène Opéra No.59 p.112, mise à jour janvier2002; MET p.278; MET(VID)p.159; PENGUIN p.238; Répertoire mai 1995 p.9; GUIDICI p.413 (2) p.719; American Record Guide January/February 2002 Vol.65 No.1 pp.54-55; Gramophone October 2002 p.38
This recording is reviewed in the following publication:-
Classica Répertoire - No.79 février 2006 p.104 [AT]
Comments:- The cast given on the ALLEGRO/ELITE disc is fictitious (See �ARSC Journal� Vol.27 No.1 Spring 1996 p.28). The CDs issued by Cantus Classics are listed on their omline catalogue
Recordings of Le nozze di Figaro by Wolfgang Amadeus Mozart are surveyed in the following publications:-
High Fidelity November 1960 Vol.10 No.11 p.125: November 1965 Vol.15 No.11 pp.68-71; Opera on Record p.55; Orpheus April 1983 S.394; CELLETTI p.506; Opera on CD (1) p.17 (2) p.21 (3) p.23; L'Avant Scène Opéra No.135-136 p.168, mise à jour janvier 2003; MET p.286; MET(VID) p.163; PENGUIN p.247; The Opera Quarterly Vol.1 No.2 p.142; Répertoire de Disques Compacts No.61 septembre 1993 p.12; Opera on Video p.21; GIUDICI p.424 (2) p.734; Classic CD March 1998 p.48; BBC Music Magazine December 2000 p.55; American Record Guide January/February 2002 Vol.65 No.1 pp.55-56
This recording is reviewed in the following publications:-
Opera Quarterly - Vol.8 No.3 Autumn 1991 pp.128-129 [WA2]
Comments:- *Video recording of a shortened film version in German. Except for the Count and Figaro a cast of actors, diffent from the singers, plays in the film
Recordings of Der Rosenkavalier by Richard Strauss are surveyed in the following publications:-
High Fidelity March 1962 Vol.12 No.3 p.120; HARRIS p.248; Opera on Record p.567; CELLETTI p.788; Opera on CD (1) p.119 (2) p.131 (3) p.146; L'Avant Scène Opéra No.69-70 p.208 (and Supplément 1997); MET p.525; MET(VID) p.311; PENGUIN p.417;American Record Guide September/October 1995 Vol.58 No.5 p.88; Opera on Video p.201; GIUDICI p.819 (2) p.1340; Répertoire No.105 septembre 1997 p.15; International Opera Collector Spring 1999 No.11 p.16; Opéra International décembre 1999 No.241 p.57; Gramophone May 2000 pp.36-39; American Record Guide May/June 2005 Vol.68 No.3 p.63
This recording is reviewed in the following publications:-
Comments:- *It appears that the recording on the CDs issued Arlecchino and Dante is of the performance at the MET on 3 December 1949 which was broadcast, whereas that on the CDs issued by Naxos is of the performance on 21 November 1949 which was telecast. The casts were the same for both performances.
Recordings of Die Zauberflöte by Wolfgang Amadeus Mozart are surveyed in the following publications:-
High Fidelity November 1960 Vol.10 No.11 p.130: November 1965 Vol.15 No.11 pp.136-140; Opera on Record p.106; CELLETTI p.525; Opera on CD (1) p.22 (2) p.26 (3) p.28; L'Avant Scène Opéra No.101 p.138, No.196 p.148; MET p.332; MET(VID) p.186; PENGUIN p.257; BBC Music Magazine May 1994 p.47; Opéra International No.182 juillet-aoüt 1994 p.14; GIUDICI p.495 (2) p.828; Stereophile October 1996 (Vol.19 No.10) p.303; Répertoire No.108 décembre 1997 p.15; American Record Guide January/February 2002 Vol.65 No.1 pp.58-60; BBC Music Magazine April 2004 p.52; The Gramophone January 2006 p.28
Comments:- *Recording of a performance at the MET (25 November 1950). The recording issued by the Omega Opera Archive is listed in their online catalogue (see CLORLINK.HTM) where it stated that their recordings are available �on CD, cassette or reel-to-reel tape�.
Recordings of Rigoletto by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.48, October 1963 Vol.13 No.10 p.32; HARRIS p.223; Opera on Record p.208; CELLETTI p.986; Opera on CD (1) p.49 (2) p.55 (3) p.61; L'Avant Scène Opéra No.112-113 p.144, mise à jour juillet 2001 p.2; MET p.583; MET(VID) p.567; PENGUIN p.496; Répertoire No.64 décembre 1993 p.8; Opera on Video p.75; GIUDICI p.905 (2) p.1459; �Musica 99� p.73; BBC Music Magazine December 1996 p.47; Opéra International No.254 février 2001 p.16
This recording is reviewed in the following publications:-
(The) Gramophone - December 1950 p.134 [HCS]; November 1952 p.144 [AR]; November 1956 pp.224-225 (Highlights) [AP]
Comments:- Recorded in the ballroom of the Manhatten Center, New York between 8 March and 25 May 1950. More details can be found in �Complete Operas on 78 R.P.M.� by Tom Peel
Recordings of Götterdämmerung by Richard Wagner are surveyed in the following publications:-
High Fidelity November 1961 Vol.11 No.11 p.136; HARRIS p.233; Opera on Record p.393; CELLETTI p.1088; Opera on CD (1) p.68 (2) p.75 (3) p.84; L'Avant Scène Opéra No.16/17 p.150; MET p.727; MET(VID) p.444; PENGUIN p.522; Diapason No.405 juin 1994 p.44; Opera October 1995 p.1166; GIUDICI p.1115 (2) p.1777; l'opera (Milano) Anno XII - N.124 dicembre 1998 - Speciale Scala - Stagione 1998/99 p.108; American Record Guide Vol.65 No.4 July/August 2002 p.57
This recording is reviewed in the following publications:-
Recordings of Das Rheingold by Richard Wagner are surveyed in the following publications:-
High Fidelity November 1961 Vol.11 No.11 p.132; HARRIS p.132; Opera on Record p.393; CELLETTI p.1126; Opera on CD (1) p.68 (2) p.75 (3) p.84; L'Avant Scène Opéra No.6/7 p.146, No.227 p.116; MET p.706; MET(VID) p.433; PENGUIN p.535; Diapason No.145 juin 1994 p.44; Opera October 1995 p.1166 (video); GIUDICI p.1115 (2) p.1777; American Record Guide Vol.65 No.4 July/August 2002 p.57
This recording is reviewed in the following publications:-
Recordings of Der Rosenkavalier by Richard Strauss are surveyed in the following publications:-
High Fidelity March 1962 Vol.12 No.3 p.120; HARRIS p.248; Opera on Record p.567; CELLETTI p.788; Opera on CD (1) p.119 (2) p.131 (3) p.146; L'Avant Scène Opéra No.69-70 p.208 (and Supplément 1997); MET p.525; MET(VID) p.311; PENGUIN p.417;American Record Guide September/October 1995 Vol.58 No.5 p.88; Opera on Video p.201; GIUDICI p.819 (2) p.1340; Répertoire No.105 septembre 1997 p.15; International Opera Collector Spring 1999 No.11 p.16; Opéra International décembre 1999 No.241 p.57; Gramophone May 2000 pp.36-39; American Record Guide May/June 2005 Vol.68 No.3 p.63
This recording is reviewed in the following publications:-
Recordings of Siegfried by Richard Wagner are surveyed in the following publications:-
High Fidelity November 1961 Vol.11 No.11 p.136; HARRIS p.233; Opera on Record p.393; CELLETTI p.1136; Opera on CD (1) p.68 (2) p.75 (3) p.84; L'Avant Scene Opéra No.14 p.132; MET p.721; MET(VID) p.441; PENGUIN p.542; Diapason No.405 juin 1994 p.44; Opera October 1995 p.1166; GIUDICI p.1115 (2) p.1777; American Record Guide Vol.65 No.4 July/August 2002 p.57
This recording is reviewed in the following publications:-
Recordings of Orfeo ed Euridice by Christophe Willibald Gluck are surveyed in the following publications:-
Opera on Record p.25; CELLETTI p.280: Marinelli p.23; Opera on CD (1) p.12 (2) p.15 (3) p.16; MET p.156; MET(VID) p.89; PENGUIN p.109; Opernwelt 7/Juli 1995 S.14; Répertoire No.99 février 1997 p.10; Gramophone September 1997 p.28; Diapason No.464 novembre 1999 pp.74-77
This recording is reviewed in the following publications:-
Recordings of Don Giovanni by Wolfgang Amadeus Mozart are surveyed in the following publications:-
High Fidelity November 1960 Vol.10 No.11 p.127: November 1965 Vol.15 No.11 pp.71-72, pp.128-132; Opera on Record p.71; CELLETTI p.467; Opera on CD (1) p.19 (2) p.23 (3) p.24; L'Avant Scène Opéra No.24 p.132, No.172 p.178 ; MET p.299; MET(VID) p.168; PENGUIN p.231; Classic CD September 1993 p.32; Opera on Video p.26; GIUDICI p.451 (2) p.766; International Opera Collector Winter 1997 No.6 p.18; Diapason No.450 juillet-aoüt 1998 p.50; Le Monde de la Musique No.223juillet-aoüt 1998 p.56; l'opera (Milano) Anno XII - N.124 dicembre 1998 - Speciale Scala - Stagione 1998/99 p.111; Répertoire No.131 janvier 2000 p.20, No.132 février 2000 p.20; American Record Guide January/February 2002 Vol.65 No.1 pp.56-57; International Record Review February 2002 p.22
This recording is reviewed in the following publications:-
Comments:- *Recording of a performance at the Salzburg Festival (27 July 1953). According to Henry Fogel in his review in FANFARE of the CDs issued by Music & Arts �Until now most reissues of a Siepi/Furtwängler Don Giovanni were of the 1954 performance, even if they were labeled 1953. CD editions on Fonit Cetra, Hunt, and the Bruno Walter Society, and LP editions on Foyer, Cetra Live Opera, and Morgan, were all labeled 1953 but were, in fact 1954.�. The CDRs issued on the Encore label are (were?) listed on the website of �berkshire record outlet inc.� (hyperlink in CLORLINK.HTM).
Recordings of Die Entführung aus dem Serail by Wolfgang Amadeus Mozart are surveyed in the following publications:-
High Fidelity November 1960 Vol.10 No.11 p.57, p.125: November 1965 Vol.15 No.11pp.65-68; Opera on Record 2 p.79; CELLETTI p.488; MARINELLI p.41; Opera on CD (1) p.16 (2) p.20 (3) p.21; L'Avant Scène Opéra No.59 p.112, mise à jour janvier2002; MET p.278; MET(VID)p.159; PENGUIN p.238; Répertoire mai 1995 p.9; GUIDICI p.413 (2) p.719; American Record Guide January/February 2002 Vol.65 No.1 pp.54-55; Gramophone October 2002 p.38
This recording is reviewed in the following publication:-
Comments:- *This recording includes the following excerpts: Ouvertüre; Hier soll ich dich denn sehen; [Solche hergelaufne Laffen]; Welcher Kummer quälet meine seele; Traurigkeit ward mir zum Lose; [Wenn der Freude Tränen fließen]; Wenn Liebchen hat gefunden; [Welche Wonne, welche Lust]; Vivat Bachus, Bachus lebe; Ach Belmonte, ach mein Leben; [In Mohreland gefangen war]; [O, wie will ich triumphieren]; Welch ein Geschick; Meinetwegen sollst du sterben; [Nie werd ich deine Huld verkennen]. Those in square brackets are omitted from the �Szenenfolge� on 10inch LPs.
Recordings of Madama Butterfly by Giacomo Puccini are surveyed in the following publications:-
High Fidelity December 1958 Vol.8 No.12 p.98; HARRIS p.165; Opera on Record p.605; CELLETTI p.605; MARINELLI p.397 Opera on CD(1) p.108 (2) p.119 (3) p.134; L'Avant Scène Opéra No.56 p.120, mise à jour juillet 2003; MET p.426; MET(VID) p.241; PENGUIN p.304; Stereophile December 1990 p.201, April 1991 p.27 (letter); Opera on Video p.182;GIUDICI p.621 (2) p.1023; Classic CD November 1997 p.56; Répertoire No.113 mai 1998 p.87; American Record Guide September/October 2000 Vol.63 No.5 pp.73-83
This recording is reviewed in the following publication:-
Recordings of Don Giovanni by Wolfgang Amadeus Mozart are surveyed in the following publications:-
High Fidelity November 1960 Vol.10 No.11 p.127: November 1965 Vol.15 No.11 pp.71-72, pp.128-132; Opera on Record p.71; CELLETTI p.467; Opera on CD (1) p.19 (2) p.23 (3) p.24; L'Avant Scène Opéra No.24 p.132, No.172 p.178 ; MET p.299; MET(VID) p.168; PENGUIN p.231; Classic CD September 1993 p.32; Opera on Video p.26; GIUDICI p.451 (2) p.766; International Opera Collector Winter 1997 No.6 p.18; Diapason No.450 juillet-aoüt 1998 p.50; Le Monde de la Musique No.223juillet-aoüt 1998 p.56; l'opera (Milano) Anno XII - N.124 dicembre 1998 - Speciale Scala - Stagione 1998/99 p.111; Répertoire No.131 janvier 2000 p.20, No.132 février 2000 p.20; American Record Guide January/February 2002 Vol.65 No.1 pp.56-57; International Record Review February 2002 p.22
This recording is reviewed in the following publications:-
Comments:- *A film of a production of the Salzburg Festival. See The Times Weekend March 11 1995 p.7. According to Anton Dermota �Furtwängler erkrankte noch vor den Dreharbeiten und wurde durch Rudolf Moralt ersetzt� (Tausendundein Abend mein Sängerleben S.247).
Recordings of Don Giovanni by Wolfgang Amadeus Mozart are surveyed in the following publications:-
High Fidelity November 1960 Vol.10 No.11 p.127: November 1965 Vol.15 No.11 pp.71-72, pp.128-132; Opera on Record p.71; CELLETTI p.467; Opera on CD (1) p.19 (2) p.23 (3) p.24; L'Avant Scène Opéra No.24 p.132, No.172 p.178 ; MET p.299; MET(VID) p.168; PENGUIN p.231; Classic CD September 1993 p.32; Opera on Video p.26; GIUDICI p.451 (2) p.766; International Opera Collector Winter 1997 No.6 p.18; Diapason No.450 juillet-aoüt 1998 p.50; Le Monde de la Musique No.223juillet-aoüt 1998 p.56; l'opera (Milano) Anno XII - N.124 dicembre 1998 - Speciale Scala - Stagione 1998/99 p.111; Répertoire No.131 janvier 2000 p.20, No.132 février 2000 p.20; American Record Guide January/February 2002 Vol.65 No.1 pp.56-57; International Record Review February 2002 p.22
This recording is reviewed in the following publications:-
(The) Gramophone - May 1986 p. [AB]; July 1991 p. [AB]
Comments:- *Recording of a performance at The Salzburg Festival (6 August 1954; see OPERA October 1954 p.611). The foyer LPs are advertized in GRAMOPHONE November 1983 p.670.
Recordings of La bohème by Giacomo Puccini are surveyed in the following publications:-
Opera December 1958 p.758; High Fidelity December 1958 Vol.8 No.12 p.94; HARRIS p.45; Opera on Record p.577; CELLETTI p.583; Opera on CD (1) p.106 (2) p.117 (3)p.132; L'Avant Scène Opéra No.20 112; MET p.397; MET(VID) p.226; PENGUIN p.296; GIUDICI p.588 (2) p.974; Gramophone November 1996 p.36; BBC Music Magazine March1999 p.50 American Record Guide September/October 2000 Vol.63 No.5 pp.73-83
This recording is reviewed in the following publications:-
(STC), Composite "Studio" Recording made up from more than one source
(SCE), Composite "Studio" Recording of Excerpts from more than one source
(LI), "Live" Recording
(LE), "Live" Recording of Excerpts
(LC), "Live" Composite Recording from more than one performance
(LCE), Excerpts from more than one "Live" Performance
(RA), A Radio Performance
(RE), Excerpts from a Radio Performance
(RC), Composite Radio Performance from more than one broadcast
(RCE), Excerpts from more than one broadcast performance
(FI), Film or/and sound track of a film
(FE), Excerpts of an opera from a film or/and the sound track of a film
CELLETTI, Il Teatro d'Opera in Disco by Rodolfo Celletti - Rizzoli - 1988
EJS Discography, EJS: Discography of the Edward J. Smith Recordings - The Golden Age of Opera, 1956-71 by William Shaman, William J. Collins, and Calvin M. Goodwin - GreenwoodPress - 1994
GIUDICI, L'Opera in CD e Video by Elvio Giudici - il Saggiatore Milano - 1995. Second Edition - 1999 - is indicated by (2)
HARRIS, Opera Recordings - A Critical Guide by Kenn Harris - David and Charles - 1973
MARINELLI, Opere in Disco by Carlo Marinelli - Discanto Edizione - 1982
MET, The Metropolitan Opera Guide to Recorded Opera - edited by Paul Gruber - Thames and Hudson - 1993
MET(VID), The Metropolitan Guide to Opera on Video - edited by Paul Gruber - W.W. Norton & Co. Ltd. - 1997
More EJS, More EJS: Discography of the Edward J. Smith Recordings by William Shaman - William J. Collins - Calvin M. Goodwin - Greenwood Press 1999
NEWTON (Verdi), Verdi - Tutti i libretti d'opera edited by Piero Mioli
PENGUIN, The Penguin Guide to Opera on Compact Discs by Edwin Greenfield - Robert Layton - Ivan March - Penguin Books 1993
Discos Gramófono (Barcelona), Compañía del Gramófono Sociedad Anónima Española
Gramófono (Barcelona), Compañía del Gramófono Sociedad Anónima Española
OperaDiscography