Recordings of Fidelio by Ludwig Van Beethoven are surveyed in the following publications:-
Opera on Record p.119; CELLETTI p.29; Opera on CD p.25 (1) p.29 (3) p.32; L'Avant Scène Opéra No.10 p.102; MET p.8; MET(VID) p.4; PENGUIN p.6; Stereophile January 1994 p.177; May 1994 p.15; BBC Music Magazine February 1995 p.43; Opera on Video p.37; GIUDICI p.11 (2) p.19; American Record Guide May/June 1996 Vol.59 No.3 p.62; Gramophone January 1997 p.40; Répertoire No.103 juin 1997 p.15; International Opera Collector Summer 1997 No.4 p.64; International Record Review March 2001 p.22; American Record Guide March/April 2008 Vol.71 No.2 pp.44-53
This recording is reviewed in the following publications:-
Orpheus - 1+2 Januar + Februar 2007 S.59-S.60 [SS]; November + Dezember 2007 S.59 (mention) [SS]
Recordings of Fidelio by Ludwig Van Beethoven are surveyed in the following publications:-
Opera on Record p.119; CELLETTI p.29; Opera on CD p.25 (1) p.29 (3) p.32; L'Avant Scène Opéra No.10 p.102; MET p.8; MET(VID) p.4; PENGUIN p.6; Stereophile January 1994 p.177; May 1994 p.15; BBC Music Magazine February 1995 p.43; Opera on Video p.37; GIUDICI p.11 (2) p.19; American Record Guide May/June 1996 Vol.59 No.3 p.62; Gramophone January 1997 p.40; Répertoire No.103 juin 1997 p.15; International Opera Collector Summer 1997 No.4 p.64; International Record Review March 2001 p.22; American Record Guide March/April 2008 Vol.71 No.2 pp.44-53
This recording is reviewed in the following publications:-
Opéra International - No.301 juin 2005 p.80 [FL-1]
Recordings of Carmen by Georges Bizet are surveyed in the following publications:-
Opera April 1957 p.221; HARRIS p.56; Opera on Record p.461; CELLETTI p.93; MARINELLI p.258; The Opera Quarterly Vol.6 No.1 Autumn 1988 p.29; Opera on CD (1) p.87 (2) p.96 (3) p.106; L'Avant Scène Opéra No.26 p.122-deuxième édition p.106, mise à jour 1998; MET p.48; MET(VID) p.17; PENGUIN p.25; Répertoire No.77 février 1995 p.15; GIUDICI p.67 (2) p.108; Classic CD October 1996 p.56; International Opera Collector Winter 1996 No.2 p.16; BBC Music Magazine July 1998 p.51; Diapason No.455 janvier 1999 p.42: No.547 S mai 2007 p.122; Orpheus Heft 5-6 Mai-Juni 2003 S.70
This recording is reviewed in the following publications:-
Recordings of Carmen by Georges Bizet are surveyed in the following publications:-
Opera April 1957 p.221; HARRIS p.56; Opera on Record p.461; CELLETTI p.93; MARINELLI p.258; The Opera Quarterly Vol.6 No.1 Autumn 1988 p.29; Opera on CD (1) p.87 (2) p.96 (3) p.106; L'Avant Scène Opéra No.26 p.122-deuxième édition p.106, mise à jour 1998; MET p.48; MET(VID) p.17; PENGUIN p.25; Répertoire No.77 février 1995 p.15; GIUDICI p.67 (2) p.108; Classic CD October 1996 p.56; International Opera Collector Winter 1996 No.2 p.16; BBC Music Magazine July 1998 p.51; Diapason No.455 janvier 1999 p.42: No.547 S mai 2007 p.122; Orpheus Heft 5-6 Mai-Juni 2003 S.70
This recording is reviewed in the following publications:-
(The) Gramophone - June 1960 p.30 [AP]; September 1960 p.177 [AP] .
Comments:- Recording of the following excerpts in German: Prelude; Ja, die Liebe; Wie, du kommst von der Mutter; Draussen am Wall; Was is Zigeuners hochsten Lust; Euren Toast...; Auf in den Kampf; Ich hab ein Geschäft vorzutragen; Hier an dem Herzen; Wenn dir den Karten; Hier in der Felsenschlucht...; Ich sprach, dass ich furchtlos mich fuhle; Ha, sie naht; Du bist's? Ich bin's!
Recordings of Lucia di Lammermoor by Gaetano Donizetti are surveyed in the following publications:-
Opera February 1959 p.86; HARRIS p.150; Opera on Record p.184; CELLETTI p.223; MARINELLI p.114; Opera on CD (1) p.34 (2) p.39 (3) p.43; L'Avant Scène Opéra No.55 p.110, No.233 p.114; MET p.113; MET(VID) p.64; PENGUIN p.78; Opéra International janvier 1995 No.187 p.19, juillet- aoüt 1997 No.215 p.10; Opera on Video p.57; GIUDICI p.190 (2) p.312; Répertoire No.107 novembre 1997 p.9; American Record Guide September/October 2000 Vol.63 No.5 pp.73-83
This recording is reviewed in the following publication:-
Comments:- The following excerpts are performed: Noch ist er ferne...Schweigende, dunkle Mitternacht; Komm näher, Lucia; Diese eingestall'nen Wangen; Wer vermag's den Zorn zu hemmen?; Freudigen Jubelruf; laßt heut' erklingen; Laßt diese Jubeltöne schweigen; Ich hörte sprechen; Die Kerzen leuchten
Recordings of Andrea Chénier by Umberto Giordano are surveyed in the following publications:-
Opera September 1959 p.565; HARRIS p.25; Orpheus No.12 1975 S.281; Opera on Record 3 p.230; CELLETTI p.264; Opera on CD(3) p.155; L'Avant Scène Opéra No.121p.104; MET p.148; MET(VID) p.85; PENGUIN p.100; Opera on Video p.215; GIUDICI p.239; Opéra International juillet-aoüt 1998 No.226 p.18; American Record Guide September/October 2000 Vol.63 No.5 pp.73-83
This recording is reviewed in the following publications:-
Comments:- According to the �Bayerischer Rundfunk - Historischer Katalog - Gesang Aufnahme - Haupteil - Sängerinnen - Band II - Buchstabe R-Z� entry 2178 the following also take part: Lilian Bennigsen, Dagmar Naaf.
Recordings of Giulio Cesare in Egitto by George Frideric Handel are surveyed in the following publications:-
Opera on Record 2 p.32; CELLETTI p.312; Opera on CD (1) p.8 (2) p.11 (3) p.12; L'Avant Scène Opéra Vol.97 p.98; MET p.176; MET(VID) p.98; PENGUIN p.133; GIUDICI p.286 (2) p.486; Opera News July 1996 p.32; American Record Guide January/February 2003 Vol.66 No.1 pp.65-66; The Gramophone May 2005 p.36
Comments:- Recording of a performance at the Munich Festival. See OPERA October 1955 pp.642-644; �Das geliebte Haus� by Rudolf Hartmann S.414. The recording issued by the Omega Opera Archive is listed in their online catalogue (see CLORLINK.php) where it stated that their recordings are available �on CD, cassette or reel-to-reel tape�.
Comments:- Recording of the first performance in the Prinzregententheater, Munich (11 August 1957). See OPERA November 1957 pp.694-696. The recording issued by the Omega Opera Archive is listed in their online catalogue (see CLORLINK.php) where it stated that their recordings are available �on CD, cassette or reel-to-reel tape�. Here the date of the performance is given incorrectly as 11 September 1957.
Black Disc; - Columbia 33CX 1096-1097 {2LPS} (1954)�; World Record Club OC 187/188; HMV SLS 5145 (ASD 3618-3619) {2LPS} (1978)�; EMI EX 769293-1 {2LPS}; Angel 3506B {2LPS} (1954)�
Compact Cassette - HMV TC-SLS 5145; EMI EX 769293-4
Recordings of Hänsel und Gretel by Engelbert Humperdinck are surveyed in the following publications:-
Orpheus Juni/Juli 1973 S.63; Opera on Record 2 p.282; CELLETTI p.338; Opera on CD (1) p.101 (2) p.112 (3) p.126; L'Avant Scène Opéra No.104 p.100; Der Opernführer No.3 p.98; MET p.184; MET(VID) p.104; PENGUIN p.162; Opera on Video p.168; GIUDICI p.304 (2) p.528; Opéra International novembre 1997 No.218 p.16; Classic CD Christmas 1999 pp.44-47; Gramophone December 2002 p.36
This recording is reviewed in the following publications:-
(The) Gramophone - January 1954 p.295 [AR]; April 1954 p.420 [DST]; November 1978 p.960 [AB]; November 1999 p.115 [EG]; February 2005 pp.80-81 [AB]
Recordings of Pagliacci by Ruggiero Leoncavallo are surveyed in the following publications:-
High Fidelity November 1962 p.53; HARRIS p.209; Opera on Record p.547; CELLETTI p.359; MARINELLI p.333; Opera on CD (1) p.114 (2) p.126 (3) p.141; L'Avant Scène Opéra No.50 p.136; MET p.209; MET(VID) p.119; PENGUIN p.184; Opera on Video p.192; GIUDICI p.325 (2) p.562; Répertoire No.101 avril 1997 p.9; American Record Guide September/October 2000 Vol.63 No.5 pp.73-83; Gramophone March 2008 p.48
This recording is reviewed in the following publication:-
Comments:- The following excerpts are performed: Prolog; Einzug und Chor des Bauern; Szene und Glockenchor; Wie flammte auf sein Auge; Jetz spielen! Hüllen in Tand nur; Nedda! Silvio; Nein! Bin Bajazzo nicht bloß; Finale.
Recordings of Pagliacci by Ruggiero Leoncavallo are surveyed in the following publications:-
High Fidelity November 1962 p.53; HARRIS p.209; Opera on Record p.547; CELLETTI p.359; MARINELLI p.333; Opera on CD (1) p.114 (2) p.126 (3) p.141; L'Avant Scène Opéra No.50 p.136; MET p.209; MET(VID) p.119; PENGUIN p.184; Opera on Video p.192; GIUDICI p.325 (2) p.562; Répertoire No.101 avril 1997 p.9; American Record Guide September/October 2000 Vol.63 No.5 pp.73-83; Gramophone March 2008 p.48
This recording is reviewed in the following publications:-
Recordings of Cavalleria rusticana by Pietro Mascagni are surveyed in the following publications:-
High Fidelity November 1962 p.53; HARRIS p.64; Opera on Record p.542; CELLETTI p.380; MARINELLI p.435; Opera on CD(1) p.114 (2) p.126 (3) p.141; L'Avant Scène Opéra No.50 p.130; MET p.220; MET(VID) p.124; PENGUIN p.195; GIUDICI p.140; Opéra International mai 1999 No.235 p.66; Répertoire No.130 décembre 1999 p.86; American Record Guide September/October 2000 Vol.63 No.5 pp.73-83
This recording is reviewed in the following publication:-
Comments:- The following excerpts are performed: Vorspiel un Siziliana; Laßt uns preisen den Herrn; Die Schuld wird nicht vergeben; Intermezzo sinfonico; Schäumt der süße Wein im Becher; Mutter der Rote war allzu feurig; Finale.
Comments:- Recording of a performance broadcast by Westdeutscher Rundfunk, Köln (March 1956). The dialogue of Carlotta is spoken by Lola Mütherl and that of Der Fremde by Wolfgang Lukschy.
Recordings of Le nozze di Figaro by Wolfgang Amadeus Mozart are surveyed in the following publications:-
High Fidelity November 1960 Vol.10 No.11 p.125: November 1965 Vol.15 No.11 pp.68-71; Opera on Record p.55; Orpheus April 1983 S.394; CELLETTI p.506; Opera on CD (1) p.17 (2) p.21 (3) p.23; L'Avant Scène Opéra No.135-136 p.168, mise à jour janvier 2003; MET p.286; MET(VID) p.163; PENGUIN p.247; The Opera Quarterly Vol.1 No.2 p.142; Répertoire de Disques Compacts No.61 septembre 1993 p.12; Opera on Video p.21; GIUDICI p.424 (2) p.734; Classic CD March 1998 p.48; BBC Music Magazine December 2000 p.55; American Record Guide January/February 2002 Vol.65 No.1 pp.55-56
Comments:- The LP issued by D.G.G. is listed in their catalogue dated 1961/62 column 371. Additional information comes from �singers on the yellow label� by john hunt p.39, p.79, p.99, p.212 and �The lyric baritone� by John Hunt p.130. The following excerpts, which were recorded on the dates indicated, are performed: Ouvertüre; Ich weiß nicht, wo ich bin, was ich tue (MS,BaRO,Ludwig,1/11/55); Nun vergiß leises fleh'n süßes Kosen (JG,MP,Lehmann,1/2/52); Hör mein fleh'n (AK,WS,Leitner,8/5/52); Sagt holde Frauen (MS,BaRO,Ludwig); Nur näher, knien Sie hin vor mir (ET,WS,Leitner,14/7/1951); Der Prozeß schon gewonnen (JM,BeRO,Ludwig,?/2/56); Und Susanna kommt nicht - Nur zu flüchtig (AK,WS,Leitner,8/5/52); Marsch und Fandango; Alles ist richtig - Ach öffnet eure Augen (JG,MP,Lehmann,1/2/52); Endlich naht sich die Stunde - O säume länger nicht (ET,WS,Leitner,13/7/51).
Recordings of Les Contes d'Hoffmann by Jacques Offenbach are surveyed in the following publications:-
Opera on Record 2 p.219; CELLETTI p.551; Opera on CD (1) p.77 (2) p.85 (3) p.95; L'Avant Scène Opéra No.25 p.120; MET p.361; MET(VID) p.204; PENGUIN p.274; GIUDICI p.538 (2) p.882; American Record Guide May/June 1996 Vol.59 No.3 p.66; Diapason No.474 octobre 2000 p.54; l'opera (Milano) Anno XVI N.158 febbraio 2002 p.103
This recording is reviewed in the following publication:-
Classic Record Collector - Winter 2004 pp.102-103 [JTH]
Comments:- Neither Walhall nor Mike Richter provide information about the origin of the audio recording except the years 1947 and 1951. It is therefore a composite recording, but which parts were recorded in which year is not stated. It seems in fact that it is a recording of the soundtrack of the German version of Powell's and Pressburger's film. According to the online discography of Offenbach's stage works (hyperlink in CHLORLINK.php) �Rudolf Schock schrieb in seinen Memoiren, Josef Metternich und er seien nach täglich acht Stunden Synchronarbeit 'wie Betrunkene aus dem Studio gewankt'�. See also the letter by Stefan Johansson in Classic Record Collector Spring 2005 p.4. Mr. Johansson also casts doubt on whether the conductor is Beecham. A DVD of the German version of the film has been issued by Premier and is listed above. See �New Releases from Premiere Opera - Tue. 16 May 2006�.
Recordings of Les Contes d'Hoffmann by Jacques Offenbach are surveyed in the following publications:-
Opera on Record 2 p.219; CELLETTI p.551; Opera on CD (1) p.77 (2) p.85 (3) p.95; L'Avant Scène Opéra No.25 p.120; MET p.361; MET(VID) p.204; PENGUIN p.274; GIUDICI p.538 (2) p.882; American Record Guide May/June 1996 Vol.59 No.3 p.66; Diapason No.474 octobre 2000 p.54; l'opera (Milano) Anno XVI N.158 febbraio 2002 p.103
This recording is reviewed in the following publication:-
Classic Record Collector - Winter 2004 pp.102-103 [JTH]
Comments:- Neither Walhall nor Mike Richter provide information about the origin of the audio recording except the years 1947 and 1951. It is therefore a composite recording, but which parts were recorded in which year is not stated. It seems in fact that it is a recording of the soundtrack of the German version of Powell's and Pressburger's film. According to the online discography of Offenbach's stage works (hyperlink in CHLORLINK.php) �Rudolf Schock schrieb in seinen Memoiren, Josef Metternich und er seien nach täglich acht Stunden Synchronarbeit 'wie Betrunkene aus dem Studio gewankt'�. See also the letter by Stefan Johansson in Classic Record Collector Spring 2005 p.4. Mr. Johansson also casts doubt on whether the conductor is Beecham. A DVD of the German version of the film has been issued by Premier and is listed above. See �New Releases from Premiere Opera - Tue. 16 May 2006�.
Recordings of Les Contes d'Hoffmann by Jacques Offenbach are surveyed in the following publications:-
Opera on Record 2 p.219; CELLETTI p.551; Opera on CD (1) p.77 (2) p.85 (3) p.95; L'Avant Scène Opéra No.25 p.120; MET p.361; MET(VID) p.204; PENGUIN p.274; GIUDICI p.538 (2) p.882; American Record Guide May/June 1996 Vol.59 No.3 p.66; Diapason No.474 octobre 2000 p.54; l'opera (Milano) Anno XVI N.158 febbraio 2002 p.103
This recording is reviewed in the following publication:-
Classic Record Collector - Winter 2004 pp.102-103 [JTH]
Comments:- Neither Walhall nor Mike Richter provide information about the origin of the audio recording except the years 1947 and 1951. It is therefore a composite recording, but which parts were recorded in which year is not stated. It seems in fact that it is a recording of the soundtrack of the German version of Powell's and Pressburger's film. According to the online discography of Offenbach's stage works (hyperlink in CHLORLINK.php) �Rudolf Schock schrieb in seinen Memoiren, Josef Metternich und er seien nach täglich acht Stunden Synchronarbeit 'wie Betrunkene aus dem Studio gewankt'�. See also the letter by Stefan Johansson in Classic Record Collector Spring 2005 p.4. Mr. Johansson also casts doubt on whether the conductor is Beecham. A DVD of the German version of the film has been issued by Premier and is listed above. See �New Releases from Premiere Opera - Tue. 16 May 2006�.
Recordings of Les Contes d'Hoffmann by Jacques Offenbach are surveyed in the following publications:-
Opera on Record 2 p.219; CELLETTI p.551; Opera on CD (1) p.77 (2) p.85 (3) p.95; L'Avant Scène Opéra No.25 p.120; MET p.361; MET(VID) p.204; PENGUIN p.274; GIUDICI p.538 (2) p.882; American Record Guide May/June 1996 Vol.59 No.3 p.66; Diapason No.474 octobre 2000 p.54; l'opera (Milano) Anno XVI N.158 febbraio 2002 p.103
This recording is reviewed in the following publications:-
Recordings of Les Contes d'Hoffmann by Jacques Offenbach are surveyed in the following publications:-
Opera on Record 2 p.219; CELLETTI p.551; Opera on CD (1) p.77 (2) p.85 (3) p.95; L'Avant Scène Opéra No.25 p.120; MET p.361; MET(VID) p.204; PENGUIN p.274; GIUDICI p.538 (2) p.882; American Record Guide May/June 1996 Vol.59 No.3 p.66; Diapason No.474 octobre 2000 p.54; l'opera (Milano) Anno XVI N.158 febbraio 2002 p.103
This recording is reviewed in the following publications:-
Recordings of Tosca by Giacomo Puccini are surveyed in the following publications:-
High Fidelity December 1958 Vol.8 No.12 p.97; HARRIS p.271; Opera on Record p.591; CELLETTI p.632; MARINELLI p.362; Opera on CD (1) p.107 (2) p.118 (3) p.133; L'Avant Scène Opéra No.11 p.106, No.11 (revised edition) p.110; MET p.411MET(VID) p.232; PENGUIN p.314; Répertoire No.63 novembre 1993 p.14; Opera on Video p.178; GIUDICI p.600 (2) p.996; Classic CD July 1996 p.50; Orpheus Januar 2000 S.12; Opéra International No.242 Janvier 2000 p.10; American Record Guide September/October 2000 Vol.63 No.5 pp.73-83
This recording is reviewed in the following publication:-
International Record Review - February 2005 p.32 [MT]
Recordings of Tosca by Giacomo Puccini are surveyed in the following publications:-
High Fidelity December 1958 Vol.8 No.12 p.97; HARRIS p.271; Opera on Record p.591; CELLETTI p.632; MARINELLI p.362; Opera on CD (1) p.107 (2) p.118 (3) p.133; L'Avant Scène Opéra No.11 p.106, No.11 (revised edition) p.110; MET p.411MET(VID) p.232; PENGUIN p.314; Répertoire No.63 novembre 1993 p.14; Opera on Video p.178; GIUDICI p.600 (2) p.996; Classic CD July 1996 p.50; Orpheus Januar 2000 S.12; Opéra International No.242 Janvier 2000 p.10; American Record Guide September/October 2000 Vol.63 No.5 pp.73-83
This recording is reviewed in the following publication:-
Orpheus - Dezember 1980 S.853-S.855 [GH]; Juli+August 2004 S.66-S.67 [SS]
Comments:- The orchestra and chorus are stated incorrectly to be those of �Norddeutscher Rundfunk� which was not formed until 1955 (see �Lexicon der Interpreten klassischer Musik im 20.Jahrhundert� S.849, S.883.
Recordings of Tosca by Giacomo Puccini are surveyed in the following publications:-
High Fidelity December 1958 Vol.8 No.12 p.97; HARRIS p.271; Opera on Record p.591; CELLETTI p.632; MARINELLI p.362; Opera on CD (1) p.107 (2) p.118 (3) p.133; L'Avant Scène Opéra No.11 p.106, No.11 (revised edition) p.110; MET p.411MET(VID) p.232; PENGUIN p.314; Répertoire No.63 novembre 1993 p.14; Opera on Video p.178; GIUDICI p.600 (2) p.996; Classic CD July 1996 p.50; Orpheus Januar 2000 S.12; Opéra International No.242 Janvier 2000 p.10; American Record Guide September/October 2000 Vol.63 No.5 pp.73-83
This recording is reviewed in the following publications:-
Opéra International - No.269 juin 2002 pp.75-76 [RS]
Recordings of Arabella by Richard Strauss are surveyed in the following publications:-
Opera on Record 3 p.272; CELLETTI p.775; Opera on CD (1) p.123 (2) p.135 (3) p.151; L'Avant Scène Opéra No.170 p.96; MET p.543; MET(VID) p.322; PENGUIN p.405; BBC Music Magazine June 1995 p.43; American Record Guide September/October 1995 Vol.58 No.5 p.89; Opera on Video p.210; GIUDICI p.844; The Opera Quarterly Vol.15 No.3 Summer 1999 pp.554-561; American Record Guide May/June 2005 Vol.68 No.3 p.64
This recording is reviewed in the following publications:-
Comments:- Recording of a performance by the Berliner Staatsoper in the Berliner Admiralspalast where they performed before the destoyed theatre in Unter den Linden was rebuilt (19 December 1950).
Recordings of Arabella by Richard Strauss are surveyed in the following publications:-
Opera on Record 3 p.272; CELLETTI p.775; Opera on CD (1) p.123 (2) p.135 (3) p.151; L'Avant Scène Opéra No.170 p.96; MET p.543; MET(VID) p.322; PENGUIN p.405; BBC Music Magazine June 1995 p.43; American Record Guide September/October 1995 Vol.58 No.5 p.89; Opera on Video p.210; GIUDICI p.844; The Opera Quarterly Vol.15 No.3 Summer 1999 pp.554-561; American Record Guide May/June 2005 Vol.68 No.3 p.64
This recording is reviewed in the following publications:-
(The) Gramophone - March 1955 p.456 [AR]; April 1955 p.472 [DST]; August 1964 pp.102-103 [EG]
Recordings of Die Frau ohne Schatten by Richard Strauss are surveyed in the following publications:-
CELLETTI p.786; Opera on CD (1) p.122 (2) p.133 (3) p.149; L'Avant Scène Opéra No.147 p.128; MET p.539; PENGUIN p.413; Diapason No.402 mars 1994 p.14; Opera on Video p.207; GIUDICI p.837 (2) p.1359; l'opera (Milano) Anno XII - N.124 dicembre 1998 - Speciale Scala - Stagione 1998/99 p.110; Opéra International No.242 janvier 2000 pp.62-63; American Record Guide May/June 2005 Vol.68 No.3 p.64
This recording is reviewed in the following publications:-
Comments:- Recording of a performance at the Munich Festival (13 August 1960). The cast given above is that listed in the �Historischer Katalog� of Bayerischer Rundfunk, but it is not certain if the singers have been correctly assigned to the roles.
Recordings of Salome by Richard Strauss are surveyed in the following publications:-
Opera July 1957 p.420; Opera on Record p.557; CELLETTI p.795; Opera on CD (1) p.117 (2) p.128 (3) p.143; L'Avant Scène Opéra No.47-48 p.184, mise à jour novembre 2001; No.240 p.92; MET p.514; MET(VID) p.304; PENGUIN p.421; Répertoire No.73 octobre 1994 p.13; American Record Guide September/October 1995 Vol.58 No.5 p.88; Opera on Video p.195; GIUDICI p.796; International Opera Collector Summer 1997 No.4 p.16; Opéra International novembre 1999 No.240 pp.60-61; The Gramophone February 2005 p.36; American Record Guide May/June 2005 Vol.68 No.3 p.62; Gramophone May 2008 p.44
This recording is reviewed in the following publications:-
(The) Gramophone - August 1954 pp.116-117 [AR]; January 1955 p.338 [DST]; November 1981 p.757 [AB] May 1994 p.112 [AB]
Recordings of Eugene Onegin by Pyotr Il'yich Tchaikovsky are surveyed in the following publications:-
Opera February 1979 p.121, March 1979 p.219; Opera on Record p.520; CELLETTI p.150; Opera on CD (1) p.90 (2) p.100 (3) p.112; L'Avant Scène Opéra No.43 p.112, mise à jour mai 2001 p.2; MET p.551; MET(VIDEO) p.332; PENGUIN p.450; BBC Music Magazine August 1994 p.48; Opera on Video p.155;GIUDICI p.122 (2) p.200; American Record Guide May/June 2003 Vol.66 No.3 pp.54-63
Recordings of Aida by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.98, October 1963 Vol.13 No.10 p.146; HARRIS p.17; Opera on Record p.304; CELLETTI p.815; MARINELLI p.190; Opera on CD(1) p.57 (2) p.64 (3) p.72; L'Avant Scène Opéra No.4 p.114; MET p.643; MET(VID) p.400; PENGUIN p.461; Opera Quarterly Vol.2 No.4 p.68; GIUDICI p.1012 (2) p.1636; Opéra International No.258 juin 2001 p.22
This recording is reviewed in the following publication:-
Recordings of Aida by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.98, October 1963 Vol.13 No.10 p.146; HARRIS p.17; Opera on Record p.304; CELLETTI p.815; MARINELLI p.190; Opera on CD(1) p.57 (2) p.64 (3) p.72; L'Avant Scène Opéra No.4 p.114; MET p.643; MET(VID) p.400; PENGUIN p.461; Opera Quarterly Vol.2 No.4 p.68; GIUDICI p.1012 (2) p.1636; Opéra International No.258 juin 2001 p.22
This recording is reviewed in the following publications:-
Comments:- A recording of excerpts from Act 3 in German. The following excerpts are performed: Azurne Bläue; Wehe! Mein Vater!; Ich sehe dich wieder, meine Aida; Bei Napata die Schluchten! (to the end).
Recordings of Un ballo in maschera by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.95; Opera on Record p.258; CELLETTI p.839; Opera on CD (1) p.54 (2) p.61 (3) p.68; MET p.625; MET(VID) p.389; PENGUIN p.467; L'Avant Scène Opéra No.32 p.110: No.237 p.82; GIUDICI p.966 (2) p.1555; BBC Music Magazine September 1999 p.56; Opéra International No.257 mai 2001 p.20; The Gramophone August 2006 p.48
This recording is reviewed in the following publications:-
Opera Quarterly - Vol.7 No.1 Spring 1990 pp.154-156 [WA2]
Comments:- Recording of a performance at the MET on Jan 22 1955 (see �Sign-Off For the Old Met� pp.191-194). The foyer LPs are advertized in GRAMOPHONE November 1983 p.670
Recordings of Un ballo in maschera by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.95; Opera on Record p.258; CELLETTI p.839; Opera on CD (1) p.54 (2) p.61 (3) p.68; MET p.625; MET(VID) p.389; PENGUIN p.467; L'Avant Scène Opéra No.32 p.110: No.237 p.82; GIUDICI p.966 (2) p.1555; BBC Music Magazine September 1999 p.56; Opéra International No.257 mai 2001 p.20; The Gramophone August 2006 p.48
This recording is reviewed in the following publications:-
International Record Review - June 2006 p.27 [JTH]
Comments:- The cast for this recording that is listed above is as given in �Bayerischer Rundfunk - Historischer Katalog - Gesangaufnahmen - Sängerinnen - Buchstabe A-Q� B 1463.
Recordings of La forza del destino by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.96, October 1963 Vol.13 No.10 p.60; Opera October 1962 p.655; HARRIS p.128; Opera on Record p.277; CELLETTI p.906; Opera on CD (1) p.55 (2) p.62 (3) p.70; L'Avant Scène Opéra No.126 p.118; MET p.632; MET(VID) p.393; PENGUIN p.481; GIUDICI p.980, (2) p.1573; NEWTON (Verdi)p.169; l'opera (Milano) Anno XII - N.124 dicembre 1998 - Speciale Scala - Stagione 1998/99 p.42, p.104; Opéra International No.268 mai 2002 p.16; Gramophone April 2003 p.36; Opera News March 2006 p.34
This recording is reviewed in the following publications:-
Comments:- The orchestra and chorus are stated incorrectly on the LPs to be those of �Norddeutscher Rundfunk� which was not formed until 1955 (see �Lexicon der Interpreten klassischer Musik im 20.Jahrhundert� S.849, S.883. Premiere has issued a recording (CDNO 650-2) of what appears to be this performance, but with the conductor given in their catalogue as Stokowski.
Recordings of Macbeth by Giuseppe Verdi are surveyed in the following publications:-
HARRIS p.162; Opera on Record p.201; CELLETTI p.936; Opera on CD (1) p.47 (2) p.53 (3) p.66; L'Avant Scène Opéra No.40 p.106, mise à jour septembre 2000; MET p.573; MET(VID) p.359; PENGUIN p.487; GIUDICI p.881 (2) p.1431; Opéra International No.72 septembre 1994 p.112; Répertoire No.108 décembre 1997 p.8; International Opera Collector Winter 1998 No.10 p.32; Opéra Interational février 1999 No.232 p.68, No.266 mars 2002 p.18
This recording is reviewed in the following publications:-
Orpheus - Dezember 1997 S.56 [GH]; März 1998 S.58 [GH]
Recordings of Macbeth by Giuseppe Verdi are surveyed in the following publications:-
HARRIS p.162; Opera on Record p.201; CELLETTI p.936; Opera on CD (1) p.47 (2) p.53 (3) p.66; L'Avant Scène Opéra No.40 p.106, mise à jour septembre 2000; MET p.573; MET(VID) p.359; PENGUIN p.487; GIUDICI p.881 (2) p.1431; Opéra International No.72 septembre 1994 p.112; Répertoire No.108 décembre 1997 p.8; International Opera Collector Winter 1998 No.10 p.32; Opéra Interational février 1999 No.232 p.68, No.266 mars 2002 p.18
This recording is reviewed in the following publications:-
Recordings of Otello by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.101: December 1963 Vol.13 No.12 p.90; HARRIS p.205; Opera on Record p.319; CELLETTI p.963; Opera on CD (1) p.59 (2) p.66 (3) p.73; L'Avant Scène Opéra No 3 p.117, No.218 p.92; The Opera Quarterly Vol.4 No.2 Summer 1986 p.49; MET p.654; MET(VID) p.406; PENGUIN p.493; BBC Music Magazine April 1994 p.56; Stereophile December 1994 p.206; Répertoire No.86 décembre 1995 p.9; GIUDICI p.1027 (2) p.1660; Opéra International No.263 décembre 2001 p.16; l'opera (Milano) Anno XV N.156 dicembre 2001 p.124
Comments:- Recording of a performance broadcast in 1958 (see �The lyric baritone� by John Hunt p.140). The recording issued by the Omega Opera Archive is listed in their online catalogue (see CLORLINK.php) where it stated that their recordings are available �on CD, cassette or reel-to-reel tape�.
Recordings of Rigoletto by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.48, October 1963 Vol.13 No.10 p.32; HARRIS p.223; Opera on Record p.208; CELLETTI p.986; Opera on CD (1) p.49 (2) p.55 (3) p.61; L'Avant Scène Opéra No.112-113 p.144, mise à jour juillet 2001 p.2; MET p.583; MET(VID) p.567; PENGUIN p.496; Répertoire No.64 décembre 1993 p.8; Opera on Video p.75; GIUDICI p.905 (2) p.1459; �Musica 99� p.73; BBC Music Magazine December 1996 p.47; Opéra International No.254 février 2001 p.16
This recording is reviewed in the following publications:-
Recordings of Rigoletto by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.48, October 1963 Vol.13 No.10 p.32; HARRIS p.223; Opera on Record p.208; CELLETTI p.986; Opera on CD (1) p.49 (2) p.55 (3) p.61; L'Avant Scène Opéra No.112-113 p.144, mise à jour juillet 2001 p.2; MET p.583; MET(VID) p.567; PENGUIN p.496; Répertoire No.64 décembre 1993 p.8; Opera on Video p.75; GIUDICI p.905 (2) p.1459; �Musica 99� p.73; BBC Music Magazine December 1996 p.47; Opéra International No.254 février 2001 p.16
This recording is reviewed in the following publication:-
Recordings of Rigoletto by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.48, October 1963 Vol.13 No.10 p.32; HARRIS p.223; Opera on Record p.208; CELLETTI p.986; Opera on CD (1) p.49 (2) p.55 (3) p.61; L'Avant Scène Opéra No.112-113 p.144, mise à jour juillet 2001 p.2; MET p.583; MET(VID) p.567; PENGUIN p.496; Répertoire No.64 décembre 1993 p.8; Opera on Video p.75; GIUDICI p.905 (2) p.1459; �Musica 99� p.73; BBC Music Magazine December 1996 p.47; Opéra International No.254 février 2001 p.16
This recording is reviewed in the following publications:-
Recordings of La traviata by Giuseppe Verdi are surveyed in the following publications:-
The Gramophone April 1957 p.402; High Fidelity January 1960 Vol.10 No.1 p.95, October 1963 Vol.13 No.10 p.52; HARRIS p.278; Opera on Record p.240; CELLETTI p.1022; Opera on CD (1) p.51 (2) p.57 (3) p.64; L'Avant Scène Opéra No.51 p.136,mise à jour p.2 (mars 2000); MET p.606; MET(VID) p.376; PENGUIN p.503; The Absolute Sound Issue 96 p.168; Opera Now June 1995 p.40; GIUDICI p.935 (2) p.1511; �Musica 99� p.70; Répertoire No.96 novembre 1996 p.88; Classic CD June 1997 p.52; Gramophone August 1999 p.22, October 1999 p.6 (letter); Opéra International No.255 mars 2001 p.14; CD Compact No.163 marzo 2003 p.16
Comments:- Recording of a performance broadcast on 11 June 1952.
Recordings of La traviata by Giuseppe Verdi are surveyed in the following publications:-
The Gramophone April 1957 p.402; High Fidelity January 1960 Vol.10 No.1 p.95, October 1963 Vol.13 No.10 p.52; HARRIS p.278; Opera on Record p.240; CELLETTI p.1022; Opera on CD (1) p.51 (2) p.57 (3) p.64; L'Avant Scène Opéra No.51 p.136,mise à jour p.2 (mars 2000); MET p.606; MET(VID) p.376; PENGUIN p.503; The Absolute Sound Issue 96 p.168; Opera Now June 1995 p.40; GIUDICI p.935 (2) p.1511; �Musica 99� p.70; Répertoire No.96 novembre 1996 p.88; Classic CD June 1997 p.52; Gramophone August 1999 p.22, October 1999 p.6 (letter); Opéra International No.255 mars 2001 p.14; CD Compact No.163 marzo 2003 p.16
This recording is reviewed in the following publications:-
Recordings of Il trovatore by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.49, October 1963 Vol.13 No.10 p.42; HARRIS p.296; Opera on Record p.225; CELLETTI p.1050; MARINELLI p.162; Opera on CD (1) p.50 (2) p.56 (3) p.62; L'Avant Scène Opéra No.60 p.100, Mise à jour Octobre 2003; MET p.596; MET(VID) p.371; PENGUIN p.507; GIUDICI p.920 (2) p.1487; Opéra International No.252 décembre 2000 p.16; Orpheus Juni 2001 S.53; CD Compact No.161 enero 2003 p.20
Recordings of Il trovatore by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.49, October 1963 Vol.13 No.10 p.42; HARRIS p.296; Opera on Record p.225; CELLETTI p.1050; MARINELLI p.162; Opera on CD (1) p.50 (2) p.56 (3) p.62; L'Avant Scène Opéra No.60 p.100, Mise à jour Octobre 2003; MET p.596; MET(VID) p.371; PENGUIN p.507; GIUDICI p.920 (2) p.1487; Opéra International No.252 décembre 2000 p.16; Orpheus Juni 2001 S.53; CD Compact No.161 enero 2003 p.20
Comments:- Some of these excerpts are conducted by Wilhelm Schüchter
Recordings of Der fliegende Holländer by Richard Wagner are surveyed in the following publications:-
High Fidelity November 1961 Vol.11 No.11 p.58; HARRIS p.123; Opera on Record p.338; CELLETTI p.1080; Opera on CD (1) p.61 (2) p.68 (3) p.76; L'Avant Scène Opéra No.30 p.114, mise à jour pp.2-15; MET p.670; MET(VID) p.417; PENGUIN p.519American Record Guide Vol.57 No.2 March-April 1994 p.58, Vol.65 No.4 July/ August 2002 p.57; Wagner News Issue No.108 April 1995 p.16; GIUDICI p.1060; Ópera Actual (Barcelona) junio-agosto 1998 No.28 p.26; Opéra International juin 2000 No.247 pp.14-17; Gramophone March 2002 pp.30-33
This recording is reviewed in the following publications:-
(The) Gramophone - December 1955 p.284; April 1956 p.409
Recordings of Lohengrin by Richard Wagner are surveyed in the following publications:-
High Fidelity November 1961 Vol.11 No.11 p.60; HARRIS p.141; Opera on Record p.354; CELLETTI p.1099; Opera on CD (1) p.63 (2) p.71 (3) p.79 L'Avant Scène Opéra No.143-144 p.190; MET p.684; MET(VID) p.424; PENGUIN p.526; American Record Guide Vol.57 No.2 p.59, Vol.65 No.4 July/August 2002 p.57; Opera on Video p.116; GIUDICI p.1077 (2) p.1728; Répertoire No.94 septembre 1996 p.12
This recording is reviewed in the following publications:-
(The) Gramophone - December 1953 p.246 (MM); February 1956 p.342 (mention) [HCS] December 1995 p.164 [AB]; July 2005 p.101 [AB]
Recordings of Die Meistersinger von Nürnberg by Richard Wagner are surveyed in the following publications:-
HARRIS p.184; Opera February 1957 p.82; Opera on Record p.376; CELLETTI p.1110; Opera on CD (1) p.66 (2) p.73 (3) p.82; L'Avant Scène Opéra No.116-117 p.214; MET p.700; MET(VID) p.430; PENGUIN p.528; American Record Guide Vol 57 No.2 March-April 1994 p.60, Vol.65 No.4 July/August 2002 p.57; Classic CD August 1994 p.36; Opera on Video p.120; GIUDICI p.1103 (2) p.1760; Gramophone January 1999 p.26; International Record Review April 2001 p.14
This recording is reviewed in the following publications:-
(The) Gramophone - April 1964 pp.473-474 [AR]; April 1990 p.1866 [AB]
Comments:- Recorded at rehearsals prior to the performance which celebrated the re-opening of the Nationaltheater, Munich on 23 November 1963 (see OPERA January 1964 p.26)
Recordings of Das Rheingold by Richard Wagner are surveyed in the following publications:-
High Fidelity November 1961 Vol.11 No.11 p.132; HARRIS p.132; Opera on Record p.393; CELLETTI p.1126; Opera on CD (1) p.68 (2) p.75 (3) p.84; L'Avant Scène Opéra No.6/7 p.146, No.227 p.116; MET p.706; MET(VID) p.433; PENGUIN p.535; Diapason No.145 juin 1994 p.44; Opera October 1995 p.1166 (video); GIUDICI p.1115 (2) p.1777; American Record Guide Vol.65 No.4 July/August 2002 p.57
This recording is reviewed in the following publications:-
Opéra International - No.292 juillet-aoüt 2004 p.78 [AT]
Recordings of Das Rheingold by Richard Wagner are surveyed in the following publications:-
High Fidelity November 1961 Vol.11 No.11 p.132; HARRIS p.132; Opera on Record p.393; CELLETTI p.1126; Opera on CD (1) p.68 (2) p.75 (3) p.84; L'Avant Scène Opéra No.6/7 p.146, No.227 p.116; MET p.706; MET(VID) p.433; PENGUIN p.535; Diapason No.145 juin 1994 p.44; Opera October 1995 p.1166 (video); GIUDICI p.1115 (2) p.1777; American Record Guide Vol.65 No.4 July/August 2002 p.57
This recording is reviewed in the following publications:-
(The) Gramophone - July 1963 p.68; October 1963 p.177
Recordings of Tristan und Isolde by Richard Wagner are surveyed in the following publications:-
Tristan und Isolde on Record by Jonathan Brown; Opera on Record p.363; CELLETTI p.1148; Opera on CD (1) p.64 (2) p.72 (3) p.81; L'Avant Scène Opéra No.34-45 p.196; MET p.692; MET(VID) p.428; PENGUIN p.548; Répertoire mars 1994 p.9; American Record Guide Mar/Apr 1994 p.59, Vol.65 No.4 July/August 2002 p.57; Classic CD February 1995 p.32; BBC Music Magazine Oct 1995 p.49; Gramophone October 1995 p.40; GIUDICI p.1086 (2) p.1742; Opéra International février 1998 No.221 p.20; Wagner News Issue No.125 February 1998 pp.10-11 (list of recordings); The Gramophone September 2006 p.56
This recording is reviewed in the following publications:-
Comments:- Recording of a performance at the MET (19 March 1955). The recording issued by the Omega Opera Archive is listed in their online catalogue (see CLORLINK.php).
(STC), Composite "Studio" Recording made up from more than one source
(SCE), Composite "Studio" Recording of Excerpts from more than one source
(LI), "Live" Recording
(LE), "Live" Recording of Excerpts
(LC), "Live" Composite Recording from more than one performance
(LCE), Excerpts from more than one "Live" Performance
(RA), A Radio Performance
(RE), Excerpts from a Radio Performance
(RC), Composite Radio Performance from more than one broadcast
(RCE), Excerpts from more than one broadcast performance
(FI), Film or/and sound track of a film
(FE), Excerpts of an opera from a film or/and the sound track of a film
CELLETTI, Il Teatro d'Opera in Disco by Rodolfo Celletti - Rizzoli - 1988
EJS Discography, EJS: Discography of the Edward J. Smith Recordings - The Golden Age of Opera, 1956-71 by William Shaman, William J. Collins, and Calvin M. Goodwin - GreenwoodPress - 1994
GIUDICI, L'Opera in CD e Video by Elvio Giudici - il Saggiatore Milano - 1995. Second Edition - 1999 - is indicated by (2)
HARRIS, Opera Recordings - A Critical Guide by Kenn Harris - David and Charles - 1973
MARINELLI, Opere in Disco by Carlo Marinelli - Discanto Edizione - 1982
MET, The Metropolitan Opera Guide to Recorded Opera - edited by Paul Gruber - Thames and Hudson - 1993
MET(VID), The Metropolitan Guide to Opera on Video - edited by Paul Gruber - W.W. Norton & Co. Ltd. - 1997
More EJS, More EJS: Discography of the Edward J. Smith Recordings by William Shaman - William J. Collins - Calvin M. Goodwin - Greenwood Press 1999
NEWTON (Verdi), Verdi - Tutti i libretti d'opera edited by Piero Mioli
PENGUIN, The Penguin Guide to Opera on Compact Discs by Edwin Greenfield - Robert Layton - Ivan March - Penguin Books 1993
Discos Gramófono (Barcelona), Compañía del Gramófono Sociedad Anónima Española
Gramófono (Barcelona), Compañía del Gramófono Sociedad Anónima Española
OperaDiscography