Recordings of The Bohemian Girl by Michael Balfe are surveyed in the following publications:-
CELLETTI p.24
Comments:- Recording of part of a performance in The Royal Opera House, Covent Garden (18 August 1951). The following excerpts are performed: Aria Arline; When other lips, Trio (21 minutes).
Recordings of Fidelio by Ludwig Van Beethoven are surveyed in the following publications:-
Opera on Record p.119; CELLETTI p.29; Opera on CD p.25 (1) p.29 (3) p.32; L'Avant Scène Opéra No.10 p.102; MET p.8; MET(VID) p.4; PENGUIN p.6; Stereophile January 1994 p.177; May 1994 p.15; BBC Music Magazine February 1995 p.43; Opera on Video p.37; GIUDICI p.11 (2) p.19; American Record Guide May/June 1996 Vol.59 No.3 p.62; Gramophone January 1997 p.40; Répertoire No.103 juin 1997 p.15; International Opera Collector Summer 1997 No.4 p.64; International Record Review March 2001 p.22; American Record Guide March/April 2008 Vol.71 No.2 pp.44-53
Comments:- Recording of a performance in the Teatro Colón (19 September 1958)
Black Disc; - E.J. Smith �The Golden Age of Opera� EJS 377, 378 (2 + 3LPS} (1966)�; Beecham Society WSA 513-516 {4LPS} Connaisseur-Melodram 303 {5LPS}; Melodram MEL 047 {5LPS}
Compact Cassette - Pantheon Music (Legends) XLNC-104
Compact Disc; - Malibran Music CDRG 162 {3CDS} (2001)�; Mike Richter Audio Encyclopedia AE 103 �Sir Thomas Beecham� {1xCD-ROM} (2004)�
Recordings of Les Troyens by Hector Berlioz are surveyed in the following publications:-
HARRIS p.302; Opera on Record p.158; CELLETTI p.90; Opera on CD (1) p.41 (2) p.47 (3) p.52; L'Avant Scène Opéra No.128-129 p.160; MET p.41; MET(VID) p.14; PENGUIN p.21; GIUDICI p.55 (2) p.95; Opéra International No.276 février 2003 p.18; Orpheus Heft 3+4 März+April 2003 S.66; The Opera Quarterly Vol.19 No.3 Summer 2003 pp.446-485; American Record Guide Vol.70 No.3 pp.64-65
This recording is reviewed in the following publications:-
Comments:- Recorded June & July 1947. Ascagne is sung by Maria Branèze in �Les Troyens à Carthage�. According to �Radio Times� (May 30 1947 p.12, p.24; June 27 1947 p.16, p.24) �La Prise de Troie� was given two separate broadcast performances on 3 and 6 June 1947 and �Les Troyens à Carthage� was also given two separate broadcast performances on 2 and 4 July 1947. �La Prise de Troie� was reviewed in �The Listener�, 12 June 1947 p.931. The Pantheon-Music tapes are advertized in ARG September 1984 p.96
Recordings of Carmen by Georges Bizet are surveyed in the following publications:-
Opera April 1957 p.221; HARRIS p.56; Opera on Record p.461; CELLETTI p.93; MARINELLI p.258; The Opera Quarterly Vol.6 No.1 Autumn 1988 p.29; Opera on CD (1) p.87 (2) p.96 (3) p.106; L'Avant Scène Opéra No.26 p.122-deuxième édition p.106, mise à jour 1998; MET p.48; MET(VID) p.17; PENGUIN p.25; Répertoire No.77 février 1995 p.15; GIUDICI p.67 (2) p.108; Classic CD October 1996 p.56; International Opera Collector Winter 1996 No.2 p.16; BBC Music Magazine July 1998 p.51; Diapason No.455 janvier 1999 p.42: No.547 S mai 2007 p.122; Orpheus Heft 5-6 Mai-Juni 2003 S.70
Comments:- Recording of a performance at the MET (24 January 1942). The recording issued by the Omega Opera Archive is listed in their online catalogue (see CLORLINK.HTM) where it stated that their recordings are available �on CD, cassette or reel-to-reel tape�.
Recordings of Carmen by Georges Bizet are surveyed in the following publications:-
Opera April 1957 p.221; HARRIS p.56; Opera on Record p.461; CELLETTI p.93; MARINELLI p.258; The Opera Quarterly Vol.6 No.1 Autumn 1988 p.29; Opera on CD (1) p.87 (2) p.96 (3) p.106; L'Avant Scène Opéra No.26 p.122-deuxième édition p.106, mise à jour 1998; MET p.48; MET(VID) p.17; PENGUIN p.25; Répertoire No.77 février 1995 p.15; GIUDICI p.67 (2) p.108; Classic CD October 1996 p.56; International Opera Collector Winter 1996 No.2 p.16; BBC Music Magazine July 1998 p.51; Diapason No.455 janvier 1999 p.42: No.547 S mai 2007 p.122; Orpheus Heft 5-6 Mai-Juni 2003 S.70
This recording is reviewed in the following publications:-
Orpheus - Mai 1997 S.61; August-September 1997 S.79
Recordings of Carmen by Georges Bizet are surveyed in the following publications:-
Opera April 1957 p.221; HARRIS p.56; Opera on Record p.461; CELLETTI p.93; MARINELLI p.258; The Opera Quarterly Vol.6 No.1 Autumn 1988 p.29; Opera on CD (1) p.87 (2) p.96 (3) p.106; L'Avant Scène Opéra No.26 p.122-deuxième édition p.106, mise à jour 1998; MET p.48; MET(VID) p.17; PENGUIN p.25; Répertoire No.77 février 1995 p.15; GIUDICI p.67 (2) p.108; Classic CD October 1996 p.56; International Opera Collector Winter 1996 No.2 p.16; BBC Music Magazine July 1998 p.51; Diapason No.455 janvier 1999 p.42: No.547 S mai 2007 p.122; Orpheus Heft 5-6 Mai-Juni 2003 S.70
Comments:- Recording of a performance at the MET (22 January 1944). The recording issued by the Omega Opera Archive is listed in their online catalogue (see CLORLINK.HTM) where it stated that their recordings are available �on CD, cassette or reel-to-reel tape�.
Recordings of Carmen by Georges Bizet are surveyed in the following publications:-
Opera April 1957 p.221; HARRIS p.56; Opera on Record p.461; CELLETTI p.93; MARINELLI p.258; The Opera Quarterly Vol.6 No.1 Autumn 1988 p.29; Opera on CD (1) p.87 (2) p.96 (3) p.106; L'Avant Scène Opéra No.26 p.122-deuxième édition p.106, mise à jour 1998; MET p.48; MET(VID) p.17; PENGUIN p.25; Répertoire No.77 février 1995 p.15; GIUDICI p.67 (2) p.108; Classic CD October 1996 p.56; International Opera Collector Winter 1996 No.2 p.16; BBC Music Magazine July 1998 p.51; Diapason No.455 janvier 1999 p.42: No.547 S mai 2007 p.122; Orpheus Heft 5-6 Mai-Juni 2003 S.70
Comments:- Recording of a performance at Teatro Colón (18 July 1958)
Recordings of Carmen by Georges Bizet are surveyed in the following publications:-
Opera April 1957 p.221; HARRIS p.56; Opera on Record p.461; CELLETTI p.93; MARINELLI p.258; The Opera Quarterly Vol.6 No.1 Autumn 1988 p.29; Opera on CD (1) p.87 (2) p.96 (3) p.106; L'Avant Scène Opéra No.26 p.122-deuxième édition p.106, mise à jour 1998; MET p.48; MET(VID) p.17; PENGUIN p.25; Répertoire No.77 février 1995 p.15; GIUDICI p.67 (2) p.108; Classic CD October 1996 p.56; International Opera Collector Winter 1996 No.2 p.16; BBC Music Magazine July 1998 p.51; Diapason No.455 janvier 1999 p.42: No.547 S mai 2007 p.122; Orpheus Heft 5-6 Mai-Juni 2003 S.70
This recording is reviewed in the following publications:-
(The) Gramophone - February 1960 p.423 [PHW]; April 1960 p.509 [DST]; May 1960 p.592 [PHW]; February 1976 p.1374 [AB]; May 1976 p.1822 [IM]; July 1976 p.147 [JBS]; June 1988 p. [AB]; October (published August) 2000 pp.102-104 [EG]
Comments:- Recorded in the Salle Wagram, Paris (April 1958, September 1959; see THE GRAMOPHONE, February 1960 p.403; RECORDS AND RECORDING February 1960 p.11 ; HIGH FIDELITY December 1959 Vol.9 No.12 p.49; CLASSIC RECORD COLLECTOR Autumn 2005 pp.31-32) All of Mercédès' music is sung by Monique Linval (as listed above and which was recorded in the second session), except the Act 2 quintet which is sung by Marcelle Croisier and which was recorded in the first session. Note that the LPs were originally issued on the Capitol label in 1960 in the USA but then re-issued on the Angel label at the end of 1961
Recordings of La Jolie fille de Perth by Georges Bizet are surveyed in the following publications:-
CELLETTI p.117; GIUDICI p.66 (2) p.106
Comments:- Recording of a performance broadcast by the BBC Third Programme (5, 7 October 1956). The recording issued by the Omega Opera Archive is listed in their online catalogue (see CLORLINK.HTM) where it stated that their recordings are available �on CD, cassette or reel-to-reel tape�.
Comments:- Recording of a performance at the MET (20 February 1943). The CDRs issued by �The Opera Lovers� are listed on the website http://www.operalovers.ca (hyperlink in CLORLINK.HTM).
Comments:- Recording of a performance broadcast by the BBC Third Programme. There were two separate broadcasts, on 19 and 21 December 1947. See Radio Times Issue dated December 12 1947 p.24 and Issue dated December 19 1947 p.8. These both list Claudine Collart as singing the role of Constance, but when a recording of the performance on 19 December was broadcast on 19 August 1979 Janine Micheau was listed in Radio Times (Issue dated 18-24 August 1979 p.28).
Comments:- There were two separate performances broadcast on 23 and 25 April 1948. (See RADIO TIMES April 16 1948 p.19, April 23 1948 p.7). The first performance was reviewed in THE LISTENER May 6 1948 pp.756-757. The CDs issued by SOMM carry a recording of the first performance, the cast of which is given above. That announced for 25 April was the same except that Lloyd Strauss Smith was to have sung the Showman and the Poor Horn Player instead of William Herbert. According to the review in GRAMOPHONE the recording issued by SOMM is of a performance broadcast on 24 April 1948. However, according to RADIO TIMES there was no performance broadcast on that day.
Recordings of Faust by Charles Gounod are surveyed in the following publications:-
HARRIS p.108; Opera on Record p.452; CELLETTI p.292; Opera on CD (1) p.75 (2) p.83 (3) p.93; L'Avant Scène Opéra No.2 (1976) mise à jour juin 1999; MET p.165; MET(VID) p.92; PENGUIN p.113; Opéra International No.168 April 1993 p.22; GIUDICI p.267 (2) p.454; American Record Guide May/June 1996 Vol.59 No.3 p.65; BBC Music Magazine June 2005 p.50; L'Avant Scène Opéra No.231 p.114
This recording is reviewed in the following publication:-
(The) Gramophone - October 1930 p.231; July 1974 p.256 [JBS]; May 1994 p.132; July 1994 p.30
Recordings of Faust by Charles Gounod are surveyed in the following publications:-
HARRIS p.108; Opera on Record p.452; CELLETTI p.292; Opera on CD (1) p.75 (2) p.83 (3) p.93; L'Avant Scène Opéra No.2 (1976) mise à jour juin 1999; MET p.165; MET(VID) p.92; PENGUIN p.113; Opéra International No.168 April 1993 p.22; GIUDICI p.267 (2) p.454; American Record Guide May/June 1996 Vol.59 No.3 p.65; BBC Music Magazine June 2005 p.50; L'Avant Scène Opéra No.231 p.114
This recording is reviewed in the following publications:-
Recordings of Faust by Charles Gounod are surveyed in the following publications:-
HARRIS p.108; Opera on Record p.452; CELLETTI p.292; Opera on CD (1) p.75 (2) p.83 (3) p.93; L'Avant Scène Opéra No.2 (1976) mise à jour juin 1999; MET p.165; MET(VID) p.92; PENGUIN p.113; Opéra International No.168 April 1993 p.22; GIUDICI p.267 (2) p.454; American Record Guide May/June 1996 Vol.59 No.3 p.65; BBC Music Magazine June 2005 p.50; L'Avant Scène Opéra No.231 p.114
Comments:- Recording of a performance at the MET (15 April 1944). The recording issued by the Omega Opera Archive is listed in their online catalogue (see CLORLINK.HTM) and the CDRs issued by �The Opera Lovers� are listed on the website http://www.operalovers.ca (hyperlink in CLORLINK.HTM).
Recordings of Faust by Charles Gounod are surveyed in the following publications:-
HARRIS p.108; Opera on Record p.452; CELLETTI p.292; Opera on CD (1) p.75 (2) p.83 (3) p.93; L'Avant Scène Opéra No.2 (1976) mise à jour juin 1999; MET p.165; MET(VID) p.92; PENGUIN p.113; Opéra International No.168 April 1993 p.22; GIUDICI p.267 (2) p.454; American Record Guide May/June 1996 Vol.59 No.3 p.65; BBC Music Magazine June 2005 p.50; L'Avant Scène Opéra No.231 p.114
This recording is reviewed in the following publications:-
(The) Gramophone - December 1949 p.124; September 2001 p.92 [AB]
Recordings of Manon by Jules Massenet are surveyed in the following publications:-
HARRIS p.171; Opera on Record p.481; CELLETTI p.398; MARINELLI p.323; Opera on CD (1) p.94 (2) p.104 (3) p.117; L'Avant Scène Opéra No.123 p.144; MET p.233; MET(VID) p.128; PENGUIN p.205; GIUDICI p.358 (2) p.629; American Record Guide May/June 1996 Vol.59 No.3 p.65; l'opera (Milano) Anno XII - N.124 dicembre 1998 - Speciale Scala - Stagione 1998/99 p.110; Orpheus November 2000 S.86
This recording is reviewed in the following publication:-
Recordings of Die Entführung aus dem Serail by Wolfgang Amadeus Mozart are surveyed in the following publications:-
High Fidelity November 1960 Vol.10 No.11 p.57, p.125: November 1965 Vol.15 No.11pp.65-68; Opera on Record 2 p.79; CELLETTI p.488; MARINELLI p.41; Opera on CD (1) p.16 (2) p.20 (3) p.21; L'Avant Scène Opéra No.59 p.112, mise à jour janvier2002; MET p.278; MET(VID)p.159; PENGUIN p.238; Répertoire mai 1995 p.9; GUIDICI p.413 (2) p.719; American Record Guide January/February 2002 Vol.65 No.1 pp.54-55; Gramophone October 2002 p.38
This recording is reviewed in the following publications:-
(The) Gramophone - April 1957 p.404; September 1957 p.151; January 1958 p.306; February 1962 p.417 [PHW]; December 1966 p.331; April 1979 p.1767 [AB] March 1991 p. [AB]
Black Disc; - HMV DB 3465-3483S (19x78s) (1938)�; *HMV ALP 1273-1275 {3LPS} (1955)�; HMV RLS 1434653 {3LPS} (1983)�; Victor �Masterpiece Sets� 541, 542 {19x78s}; RCA Victor 6103 {3LPS} (1951)�; RCA Victor WCT 54 {EPS} (1951)�; Seraphim IC-6129; World Record Club SH 158-160 Calig CAL 30845/30846 {2LPS}; Turnabout TV 4111-3 {3LPS}
Recordings of Die Zauberflöte by Wolfgang Amadeus Mozart are surveyed in the following publications:-
High Fidelity November 1960 Vol.10 No.11 p.130: November 1965 Vol.15 No.11 pp.136-140; Opera on Record p.106; CELLETTI p.525; Opera on CD (1) p.22 (2) p.26 (3) p.28; L'Avant Scène Opéra No.101 p.138, No.196 p.148; MET p.332; MET(VID) p.186; PENGUIN p.257; BBC Music Magazine May 1994 p.47; Opéra International No.182 juillet-aoüt 1994 p.14; GIUDICI p.495 (2) p.828; Stereophile October 1996 (Vol.19 No.10) p.303; Répertoire No.108 décembre 1997 p.15; American Record Guide January/February 2002 Vol.65 No.1 pp.58-60; BBC Music Magazine April 2004 p.52; The Gramophone January 2006 p.28
This recording is reviewed in the following publications:-
(The) Gramophone - July 1938 p.68 [HFVL]; November 1955 p.233 [AR]; January 1956 p.302 [DST]; July 1983 p.181 [JBS]; March 1990 p. [JBS]
Comments:- This recording, in which there is no dialogue, was recorded in two sessions: 8 to 15 November 1937 and 24 February to 8 March 1938. The following items were recorded in the second session: In diesen heiligen Hallen; Der Vogelfänger bin ich ja; Dies Bildnis is bezaubernd schön; Zu Hülfe; Overture pt.1; O zittre nicht. The last of these, the Queen of the Night's aria �O zittre nicht�, was recorded on 8 March 1938 and was conducted by Bruno Seidler-Winkler. More details can be found in �Complete Operas on 78 R.P.M.� by Tom Peel. According to Walter Legge the orchestra in the recording conducted by Bruno Seidler-Winkler was the Berlin State Opera Orchestra (see OPERA June 1979 pp.539-540).
Recordings of Die Zauberflöte by Wolfgang Amadeus Mozart are surveyed in the following publications:-
High Fidelity November 1960 Vol.10 No.11 p.130: November 1965 Vol.15 No.11 pp.136-140; Opera on Record p.106; CELLETTI p.525; Opera on CD (1) p.22 (2) p.26 (3) p.28; L'Avant Scène Opéra No.101 p.138, No.196 p.148; MET p.332; MET(VID) p.186; PENGUIN p.257; BBC Music Magazine May 1994 p.47; Opéra International No.182 juillet-aoüt 1994 p.14; GIUDICI p.495 (2) p.828; Stereophile October 1996 (Vol.19 No.10) p.303; Répertoire No.108 décembre 1997 p.15; American Record Guide January/February 2002 Vol.65 No.1 pp.58-60; BBC Music Magazine April 2004 p.52; The Gramophone January 2006 p.28
This recording is reviewed in the following publication:-
Ópera Actual (Barcelona) - No.90 mayo 2006 p.82 [JR]
Recordings of Les Contes d'Hoffmann by Jacques Offenbach are surveyed in the following publications:-
Opera on Record 2 p.219; CELLETTI p.551; Opera on CD (1) p.77 (2) p.85 (3) p.95; L'Avant Scène Opéra No.25 p.120; MET p.361; MET(VID) p.204; PENGUIN p.274; GIUDICI p.538 (2) p.882; American Record Guide May/June 1996 Vol.59 No.3 p.66; Diapason No.474 octobre 2000 p.54; l'opera (Milano) Anno XVI N.158 febbraio 2002 p.103
This recording is reviewed in the following publications:-
Recordings of Les Contes d'Hoffmann by Jacques Offenbach are surveyed in the following publications:-
Opera on Record 2 p.219; CELLETTI p.551; Opera on CD (1) p.77 (2) p.85 (3) p.95; L'Avant Scène Opéra No.25 p.120; MET p.361; MET(VID) p.204; PENGUIN p.274; GIUDICI p.538 (2) p.882; American Record Guide May/June 1996 Vol.59 No.3 p.66; Diapason No.474 octobre 2000 p.54; l'opera (Milano) Anno XVI N.158 febbraio 2002 p.103
This recording is reviewed in the following publications:-
(The) Gramophone - June 1951 p.13 (audio) [AR]; October 1951 p.94 (audio) [DST]; January 1963 p.356 (audio) [EG]; November 2002 pp.118-119 (audio) [AML]
Recordings of Les Contes d'Hoffmann by Jacques Offenbach are surveyed in the following publications:-
Opera on Record 2 p.219; CELLETTI p.551; Opera on CD (1) p.77 (2) p.85 (3) p.95; L'Avant Scène Opéra No.25 p.120; MET p.361; MET(VID) p.204; PENGUIN p.274; GIUDICI p.538 (2) p.882; American Record Guide May/June 1996 Vol.59 No.3 p.66; Diapason No.474 octobre 2000 p.54; l'opera (Milano) Anno XVI N.158 febbraio 2002 p.103
This recording is reviewed in the following publication:-
Classic Record Collector - Winter 2004 pp.102-103 [JTH]
Comments:- Neither Walhall nor Mike Richter provide information about the origin of the audio recording except the years 1947 and 1951. It is therefore a composite recording, but which parts were recorded in which year is not stated. It seems in fact that it is a recording of the soundtrack of the German version of Powell's and Pressburger's film. According to the online discography of Offenbach's stage works (hyperlink in CHLORLINK.HTM) �Rudolf Schock schrieb in seinen Memoiren, Josef Metternich und er seien nach täglich acht Stunden Synchronarbeit 'wie Betrunkene aus dem Studio gewankt'�. See also the letter by Stefan Johansson in Classic Record Collector Spring 2005 p.4. Mr. Johansson also casts doubt on whether the conductor is Beecham. A DVD of the German version of the film has been issued by Premier and is listed above. See �New Releases from Premiere Opera - Tue. 16 May 2006�.
Recordings of La bohème by Giacomo Puccini are surveyed in the following publications:-
Opera December 1958 p.758; High Fidelity December 1958 Vol.8 No.12 p.94; HARRIS p.45; Opera on Record p.577; CELLETTI p.583; Opera on CD (1) p.106 (2) p.117 (3)p.132; L'Avant Scène Opéra No.20 112; MET p.397; MET(VID) p.226; PENGUIN p.296; GIUDICI p.588 (2) p.974; Gramophone November 1996 p.36; BBC Music Magazine March1999 p.50 American Record Guide September/October 2000 Vol.63 No.5 pp.73-83
This recording is reviewed in the following publications:-
(The) Gramophone - October 1936 p.202 [HFVL]; October 1970 p.666-p.673; January 1971 p.1130 (mention); September 1991 p. [AB]; February 1995 p.115
Recordings of La bohème by Giacomo Puccini are surveyed in the following publications:-
Opera December 1958 p.758; High Fidelity December 1958 Vol.8 No.12 p.94; HARRIS p.45; Opera on Record p.577; CELLETTI p.583; Opera on CD (1) p.106 (2) p.117 (3)p.132; L'Avant Scène Opéra No.20 112; MET p.397; MET(VID) p.226; PENGUIN p.296; GIUDICI p.588 (2) p.974; Gramophone November 1996 p.36; BBC Music Magazine March1999 p.50 American Record Guide September/October 2000 Vol.63 No.5 pp.73-83
This recording is reviewed in the following publications:-
(The) Gramophone - November 1956 p.195; January 1957 p.306; April 1957 p.402 November 1974 p.963 [EG]; April 1975 p.1780 [JBS]; October 1975 p.721 [MEO] June 1987 p. [MEO]; July 2002 p.81 [AB]
Comments:- Recorded between 16 March and 6 April 1956. Some parts of this recording were made with one or more singers recorded over previously recorded contributions from the orchestra and the other singers (e.g.Merrill's contribution to the opening �Questo mar rosso� was recorded after that of the other singers). More details can be found in �Complete Operas on 78 R.P.M.� by Tom Peel. According toPeel the RCA Chorus was the Chorus of the New York City Opera. See also THE GRAMOPHONE January 1957 p.291, OPERA NEWS March 18 1995 p.21
Recordings of Samson et Dalila by Camille Saint-Saens are surveyed in the following publications:-
Opera on Record 2 p.208; CELLETTI p.755; Opera on CD (1) p.85 (2) p.94 (3) p.105; L'Avant Scène Opéra No.15 p.92; MET p.495; MET(VID) p.299; PENGUIN p.376; Opera on Video p.145; GIUDICI p.758 (2) p.1248; American Record Guide May/June 1996 Vol.59 No.3 p.67; International Opera Collector Spring 1998 No.7 p.30; Opéra Magazine No.29 mai 2008 p.28
Comments:- Recording of a performance in the Teatro Colón, Buenos Aires (1 August 1958, seeOPERA October 1958 p.655). It is sometimes incorrectly stated that this perfor-mance took place in Mexico City
Compact Disc; - Standing Room Only SRO 830-2 {2CDS}; Radio Years RY 79/80 {2CDS}; Somm-Beecham 14-2 {2CDS} (2002)�; *Mike Richter Audio Encyclopedia AE 103 �Sir Thomas Beecham� {1xCD-ROM} (2004)�; Radio Years RY 79/80 {2CDS} (2005)�; Urania URN 22286 {2CDS} (2006)�
Recordings of Ariadne auf Naxos by Richard Strauss are surveyed in the following publications:-
High Fidelity March 1962 Vol.12 No.3 p.121; HARRIS p.29; Opera on Record 3 p.264; CELLETTI p.777; Opera on CD (1) p.121 (2) p.132 (3) p.148; L'Avant Scène Opéra No.77 p.120, mise à jour 2003; MET p.534; MET(VID) p.316; PENGUIN p.407; American Record Guide September/October 1995 Vol.58 No.5 p.89; Opéra International No.242 janvier 2000 pp.62-63; American Record Guide May/June 2005 Vol.68 No.3 pp.63-63
This recording is reviewed in the following publications:-
(The) Gramophone - June 1979 p.102 [JBS]; March 1999 p.100 (in brief) [AB]
Recordings of Ariadne auf Naxos by Richard Strauss are surveyed in the following publications:-
High Fidelity March 1962 Vol.12 No.3 p.121; HARRIS p.29; Opera on Record 3 p.264; CELLETTI p.777; Opera on CD (1) p.121 (2) p.132 (3) p.148; L'Avant Scène Opéra No.77 p.120, mise à jour 2003; MET p.534; MET(VID) p.316; PENGUIN p.407; American Record Guide September/October 1995 Vol.58 No.5 p.89; Opéra International No.242 janvier 2000 pp.62-63; American Record Guide May/June 2005 Vol.68 No.3 pp.63-63
This recording is reviewed in the following publications:-
Comments:- Recording of a performance of the original (1912) version at the Edinburgh Festival (see OPERA November 1950 pp.20-22; �Mein Leben� by Hilde Zadek S.61-63.). The play �Le Bourgeois Gentilhomme� in an English translation by Miles Malleson was performed first and then �Ariadne auf Naxos�. The performances on 23 August and 4 September 1950 were broadcast by the BBC Third Programme. See Radio Times Issue dated August 20-26 1950 p.23 and that dated September 3-9 1950 p.15. The cast listed above is that announced for 4 September. Dorothy Bond was announced as Najade for the performance on 23 August.
Recordings of Elektra by Richard Strauss are surveyed in the following publications:-
High Fidelity March 1962 Vol.12 No.3 p.120; Orpheus 15 März - 15 April 1976 S.271; Opera on Record p.557; CELLETTI p.783; MARINELLI p.462; Opera on CD (1) p.118 (2) p.129 (3) p.145; L'Avant Scène Opéra No.92 p.112, mise à jour juillet 2000; MET p.519; PENGUIN p.411; BBC Music Magazine June 1993 p.47; American Record Guide September/October 1995 Vol.58 No.5 p.88; Opera on Video p.199; GIUDICI p.808 (2) p.1325; The Opera Quarterly Vol.15 No.3 Summer 1999 pp.479-502; American Record Guide May/June 2005 Vol.68 No.3 pp.62-63
This recording is reviewed in the following publications:-
Comments:- Recording of a performance broadcast by the BBC Third Programme (October 1947). According to �More EJS� portions of the recording of the finale on the Rococo LPs were taken from the commercial recording conducted by Beecham. Two performances were broadcast, on 24 and 26 October 1947. See Radio Times Issue dated October 19-25 1947 p.24 and that dated Oct.26-Nov. 1 1947 p.4. According to the review by James Miller in FANFARE the recording on the CDs issued by Opera d'Oro (OPD 1431) is not of the performance conducted by Beecham but of that conducted by Miropoulos (Salzburg 1957) that has also been issued by Opera d'Oro (OPD 1190).
Black Disc; - HMV DB 9393-9396 {4x78s;AC} (1949)�; RCA Victor Set M 1247 (12-0471/4) {4x78s;AC};; RCA RL 42821 (+Ariadne auf Naxos - excerpts) {1LP} (UK) (1979)�
Compact Disc; - Preiser Records 90341 (+Ariadne auf Naxos - excerpts) {1CD} (1998)�
Recordings of Elektra by Richard Strauss are surveyed in the following publications:-
High Fidelity March 1962 Vol.12 No.3 p.120; Orpheus 15 März - 15 April 1976 S.271; Opera on Record p.557; CELLETTI p.783; MARINELLI p.462; Opera on CD (1) p.118 (2) p.129 (3) p.145; L'Avant Scène Opéra No.92 p.112, mise à jour juillet 2000; MET p.519; PENGUIN p.411; BBC Music Magazine June 1993 p.47; American Record Guide September/October 1995 Vol.58 No.5 p.88; Opera on Video p.199; GIUDICI p.808 (2) p.1325; The Opera Quarterly Vol.15 No.3 Summer 1999 pp.479-502; American Record Guide May/June 2005 Vol.68 No.3 pp.62-63
This recording is reviewed in the following publications:-
(The) Gramophone - July 1949 p.28 [AR]; June 1979 p.102 [JBS]; March 1999 p.100 (in brief) [AB]
Recordings of Mignon by Ambroise Thomas are surveyed in the following publications:-
Opera on Record 3 p.128; CELLETTI p.810; MET p.562;
Comments:- Recording of a performance at the MET (25 December 1943). The recording issued by the Omega Opera Archive is listed in their online catalogue (see CLORLINK.HTM) where it stated that their recordings are available �on CD, cassette or reel-to-reel tape�.
Black Disc - Historical Recording Enterprises HRE 260 {3LPS}; Unique Opera Records UORC-300
Compact Disc; - Eklipse EKR CD-3; Radio Years RY 62/63 {2CDS} ; Arkadia 2CD 50002 {2CDS}; Arkadia �Golden Age� GA 2026 {2CDS} (2000)�; *Mike Richter Audio Encyclopedia AE 103 �Sir Thomas Beecham� {1xCD-ROM} (2004)�; The Opera Lovers AID 193901 {2CDRS}; Cantus Classics 500723 {2CDS} (2005)�
Recordings of Aida by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.98, October 1963 Vol.13 No.10 p.146; HARRIS p.17; Opera on Record p.304; CELLETTI p.815; MARINELLI p.190; Opera on CD(1) p.57 (2) p.64 (3) p.72; L'Avant Scène Opéra No.4 p.114; MET p.643; MET(VID) p.400; PENGUIN p.461; Opera Quarterly Vol.2 No.4 p.68; GIUDICI p.1012 (2) p.1636; Opéra International No.258 juin 2001 p.22
This recording is reviewed in the following publications:-
Comments:- Recording of a performance at Covent Garden (25 May 1939). The CDRs issued by �The Opera Lovers� are listed on the website http://www.operalovers.ca (hyperlink in CLORLINK.HTM)
Recordings of Falstaff by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.101; Opera May 1970 p.389, August 1970 p.727, October 1970 p.982; HARRIS p.101; Opera on Record p.331; CELLETTI p.894; Opera on CD (1) p.60 (2) p.67 (3) p.75; L'Avant Scène Opéra No.87/88 p.146, miseà jour avril 2001; MET p.663; MET(VID) p.411; PENGUIN p.478; GIUDICI p.1042 (2) p.1682; Répertoire No.109 janvier 1998 p.18, pp.74-76; Opéra International No.256 avril 2001 pp.16-22; Orpheus Juli 2001 S.69; l'opera (milano) Anno XV N.155 ottobre-novembre 2001 p.117; Gramophone Awards Issue 2002 p.52; Diapason No.556 mars 2008 p.66
Comments:- Recording of a performance at the MET (11 March 1944). The recording issued by the Omega Opera Archive is listed in their online catalogue (see CLORLINK.HTM) where it stated that their recordings are available �on CD, cassette or reel-to-reel tape�.
Recordings of Otello by Giuseppe Verdi are surveyed in the following publications:-
High Fidelity January 1960 Vol.10 No.1 p.101: December 1963 Vol.13 No.12 p.90; HARRIS p.205; Opera on Record p.319; CELLETTI p.963; Opera on CD (1) p.59 (2) p.66 (3) p.73; L'Avant Scène Opéra No 3 p.117, No.218 p.92; The Opera Quarterly Vol.4 No.2 Summer 1986 p.49; MET p.654; MET(VID) p.406; PENGUIN p.493; BBC Music Magazine April 1994 p.56; Stereophile December 1994 p.206; Répertoire No.86 décembre 1995 p.9; GIUDICI p.1027 (2) p.1660; Opéra International No.263 décembre 2001 p.16; l'opera (Milano) Anno XV N.156 dicembre 2001 p.124
This recording is reviewed in the following publications:-
American Record Guide - July/August 2008 Vol.71 No.4 pp.256-257 [RVL]
Comments:- Recording of a performance in the Teatro Colón, Buenos Aires (4 July 1958). The LPs issued on the Stradivarius label are advertized in GRAMOPHONE September 1985 p.443.
Recordings of Götterdämmerung by Richard Wagner are surveyed in the following publications:-
High Fidelity November 1961 Vol.11 No.11 p.136; HARRIS p.233; Opera on Record p.393; CELLETTI p.1088; Opera on CD (1) p.68 (2) p.75 (3) p.84; L'Avant Scène Opéra No.16/17 p.150; MET p.727; MET(VID) p.444; PENGUIN p.522; Diapason No.405 juin 1994 p.44; Opera October 1995 p.1166; GIUDICI p.1115 (2) p.1777; l'opera (Milano) Anno XII - N.124 dicembre 1998 - Speciale Scala - Stagione 1998/99 p.108; American Record Guide Vol.65 No.4 July/August 2002 p.57
This recording is reviewed in the following publications:-
Recordings of Die Meistersinger von Nürnberg by Richard Wagner are surveyed in the following publications:-
HARRIS p.184; Opera February 1957 p.82; Opera on Record p.376; CELLETTI p.1110; Opera on CD (1) p.66 (2) p.73 (3) p.82; L'Avant Scène Opéra No.116-117 p.214; MET p.700; MET(VID) p.430; PENGUIN p.528; American Record Guide Vol 57 No.2 March-April 1994 p.60, Vol.65 No.4 July/August 2002 p.57; Classic CD August 1994 p.36; Opera on Video p.120; GIUDICI p.1103 (2) p.1760; Gramophone January 1999 p.26; International Record Review April 2001 p.14
This recording is reviewed in the following publications:-
(The) Gramophone - August (published June) 2003 pp.73-74 [AB]
Comments:- Recording of part of Acts 1 and 2 from a performance in The Royal Opera House, Covent Garden (2 July 1951). This performance was broadcast by the BBC Third Programme (see Radio Times issue dated July 1-7 1951 p.19).
Recordings of Tristan und Isolde by Richard Wagner are surveyed in the following publications:-
Tristan und Isolde on Record by Jonathan Brown; Opera on Record p.363; CELLETTI p.1148; Opera on CD (1) p.64 (2) p.72 (3) p.81; L'Avant Scène Opéra No.34-45 p.196; MET p.692; MET(VID) p.428; PENGUIN p.548; Répertoire mars 1994 p.9; American Record Guide Mar/Apr 1994 p.59, Vol.65 No.4 July/August 2002 p.57; Classic CD February 1995 p.32; BBC Music Magazine Oct 1995 p.49; Gramophone October 1995 p.40; GIUDICI p.1086 (2) p.1742; Opéra International février 1998 No.221 p.20; Wagner News Issue No.125 February 1998 pp.10-11 (list of recordings); The Gramophone September 2006 p.56
This recording is reviewed in the following publications:-
(The) Gramophone - January 1992 p.100 [AB]; September 2001 p.44 (mention) [RC]
Comments:- Only part of the EMI recording is conducted by Beecham; the rest is conducted byReiner. The other recordings are from 2 performances (18, 22 June 1937) as thereare 2 Brangaenes (Klose & Branzell) and 2 Kurwenals (Janssen & Schoeffler); The A.N.N.A. disc contains Act 2 only
Recordings of Die Walküre by Richard Wagner are surveyed in the following publications:-
High Fidelity November 1961 Vol.11 No.11 p.132; HARRIS p.233; Opera September 1970 p.826 October 1970 p.922; Opera on Record p.393; CELLETTI p.1158; Opera on CD (1) p.68 (2) p.75 (3) p.84; L'Avant Scène Opéra No.12/13 p.148, No.228 p.122; MET p.148; MET(VID) p.438; PENGUIN p.551; Diapason No.405 juin 1994 p.4; Opera October 1995 p.1166 (video); Lyrica N.28 Anno III Aprile 1996 p.56; GIUDICI p.1115 (2) p.1777; American Record Guide Vol.65 No.4 July/August 2002 p.57
This recording is reviewed in the following publications:-
Comments:- The cassette with excerpts of a performance by the BBC with the cast members given as �Konetzni, Wettergren, Lorenz� and the year given as 1942! is listed in Charles Handelman's Live Opera Catalogue dated November 2000 p.75. As none of these singers were in England in 1942 it seems most likely that the recording is of one of the studio performances conducted by Thomas Beecham on 18 and 20 December 1946 which were broadcast by the BBC Third Programme. See Radio Times Issue dated December 13 1946 p.20, p.28. The recording issued by the Omega Opera Archive is listed in their online catalogue (see CLORLINK.HTM) where it stated that their recordings are available �on CD, cassette or reel-to-reel tape�. The dates of the performances are given correctly here, but Archipel gives the year (incorrectly) as 1947. There is a review by Dyneley Hussey in The Listener Issue dated 26 December 1946 pp.947-948 .
(STC), Composite "Studio" Recording made up from more than one source
(SCE), Composite "Studio" Recording of Excerpts from more than one source
(LI), "Live" Recording
(LE), "Live" Recording of Excerpts
(LC), "Live" Composite Recording from more than one performance
(LCE), Excerpts from more than one "Live" Performance
(RA), A Radio Performance
(RE), Excerpts from a Radio Performance
(RC), Composite Radio Performance from more than one broadcast
(RCE), Excerpts from more than one broadcast performance
(FI), Film or/and sound track of a film
(FE), Excerpts of an opera from a film or/and the sound track of a film
CELLETTI, Il Teatro d'Opera in Disco by Rodolfo Celletti - Rizzoli - 1988
EJS Discography, EJS: Discography of the Edward J. Smith Recordings - The Golden Age of Opera, 1956-71 by William Shaman, William J. Collins, and Calvin M. Goodwin - GreenwoodPress - 1994
GIUDICI, L'Opera in CD e Video by Elvio Giudici - il Saggiatore Milano - 1995. Second Edition - 1999 - is indicated by (2)
HARRIS, Opera Recordings - A Critical Guide by Kenn Harris - David and Charles - 1973
MARINELLI, Opere in Disco by Carlo Marinelli - Discanto Edizione - 1982
MET, The Metropolitan Opera Guide to Recorded Opera - edited by Paul Gruber - Thames and Hudson - 1993
MET(VID), The Metropolitan Guide to Opera on Video - edited by Paul Gruber - W.W. Norton & Co. Ltd. - 1997
More EJS, More EJS: Discography of the Edward J. Smith Recordings by William Shaman - William J. Collins - Calvin M. Goodwin - Greenwood Press 1999
NEWTON (Verdi), Verdi - Tutti i libretti d'opera edited by Piero Mioli
PENGUIN, The Penguin Guide to Opera on Compact Discs by Edwin Greenfield - Robert Layton - Ivan March - Penguin Books 1993
Discos Gramófono (Barcelona), Compañía del Gramófono Sociedad Anónima Española
Gramófono (Barcelona), Compañía del Gramófono Sociedad Anónima Española
OperaDiscography